The biggest fool of all - Cock Robin

You could wonder if it's a good idea to re-release a song that was not successful the first time around, years later on the occasion of a compilation album, but without any promotion or even any new tracks or remixes to go with it. But that's exactly what happened with this single. 'The biggest fool of all' was originally released in 1987 as the second single from Cock Robin's second album 'After here through midland', but it flopped in most territories.

When the record company released 'The best of Cock Robin' in 1992, the track was re-released - and failed to chart yet again.

My collection: 7" single no. 1652
Found: Melody Maker, Den Haag, May 9, 1992
Cost: 6,5 guilders
Tracks: 'The biggest fool of all' / 'Coward's courage'

When we were young - Bucks Fizz

'When we were young' was a change in direction for Bucks Fizz. The production was heavy and the song had an ominous tone, far removed from the group's usual pop sound. It was the first and only single to feature lead vocals by Jay Aston. Aston's vocals were notably different from her solo appearances on previous Bucks Fizz songs Aston herself has said that she was adopting an effected voice, similar to Hazel O'Connor. She has since stated, despite the song's success, her vocal affectation wasn't a good idea, although has rated it her favourite Bucks Fizz song, while member Cheryl Baker has commented that she never liked the song due to its downbeat tone.

Reaching number 10 in the UK singles chart, this was to be Bucks Fizz's last top 10 hit for three years. In the Dutch Top 40, the single reached number 14 and they wouldn't have any chart hits until three years later.

My collection: 7" single no. 1088
Found: Disco Market, Den Haag, October 27, 1989
Cost: 1 guilder
Tracks: 'When we were young' / 'Where the ending starts'

She bop - Cyndi Lauper

'She bop' was, for some, a controversial song as the lyric was full of allusions to masturbation, such as 'They say I better stop / or I'll go blind'. Lauper said she wanted little kids to think the song was about dancing, and to understand the real meaning as they got older. This is probably why the lyric is quite oblique.

The single was a top 10 hit in most countries where it was released, although there were exceptions: in the UK it only reached number 46 and in the Dutch Top 40 it only got to number 34.

My collection: 7" single no. 469
Found: Disco Market, Den Haag, October 20, 1986
Cost: 2 guilders
Tracks: 'She bop' / 'Witness'

That was yesterday - Foreigner

'That was yesterday' was the second single from Foreigner's album 'Agent provocateur'. The song was written by Lou Gramm and Mick Jones and was remixed for the single release.

The single reached number 12 in the US Billboard Hot 100 chart, number 28 in the UK singles chart and the Dutch Top 40.

My collection: 7" single no. 277
Found: LP Top 100, Den Haag, 1985
Cost: 6 guilders
Tracks: 'That was yesterday' / 'Two different worlds'

A better love - London Beat

'A better love' was the second single taken from London Beat's second album 'In the blood'.

The previous single 'I've been thinking about you' was a number 1 hit in the US and the Netherlands, but this single was not as successful: it peaked at number 18 in the US and number 14 in the Netherlands. In the UK, this single stalled at number 52.

My collection: 7" single no. 1359
Found: Den Haag, December 5, 1990
Cost: - (present)
Tracks: 'A better love' / 'K.I.S.S.'

L.A. Woman - Billy Idol

It was quite a brave move for Billy Idol to record a cover version of the Doors' famous track 'L.A. Woman', the title track of the band's last album before Jim Morrison died. But his version turns out surprisingly well, adding a lot of power to the track that was already fast paced to begin with.

It was released as the second single from Billy Idol's fifth album 'Charmed life'. It reached number 70 in the UK singles chart and number 52 in the US Billboard Hot 100 chart. I bought the album not so long after I bought the single, because an edit is always too short.

My collection: 7" single no. 1281
Found: Melody Maker, Den Haag, August 23, 1990
Cost: 6,5 guilders
Tracks: 'L.A. Woman (edit)' / 'License to thrill'

Who is wrong and who's right - Kirsten and Søren

Kirsten Siggard (born September 7, 1954) and Søren Bundgaard (born March 4, 1956) were no strangers to the Eurovision Song Contest when they represented Denmark in 1988: they first entered in 1984 as Hot Eyes with the song 'Det' lige det'. They returned in 1985 with the song 'Sku' du spørg' fra no'en?'. They reached 4th and 11th place respectively.

In 1988 they got another shot at Eurovision fame with the song 'Ka' du se, hva' jeg sa'?'. No longer named Hot Eyes but simply Kirsten & Søren, they had their best result, reaching third place in the Contest. This single, featuring the English and French versions of the song, was released in various European countries, but did not chart outside Denmark.

My collection: 7" single no. 4395
Found: Second Life Music, Amsterdam, December 30, 2009
Cost: 1 euro
Tracks: 'Who is wrong and who's right' / 'Ecoute moi mon amie'

Follow you follow me - Genesis

I didn't hear 'Follow you follow me' until the second half of the Eighties, and I couldn't believe this was a song from 1978. The track was taken from Genesis's ninth studio album 'And then there were three...', a title to reflect the departure of band member Steve Hackett, reducing the band to a trio. This lineup would last until 1996, and give them their biggest mainstream successes.

The slow, sentimental ballad was composed by the band with lyrics by Mike Rutherford. The band had concluded that their music was attracting mainly male audiences, and this song was a deliberate attempt to attract female audiences as well. The strategy worked: they had their first top 10 hit in the UK (peaking at number 7) and their first top 40 hit in America (peaking at number 23). It was also their first single hit in the Netherlands, where it peaked at number 17 in the Dutch Top 40.

My collection: 7" single no. 816
Found: Disco Market, Den Haag, May 13, 1989
Cost: 1 guilder
Tracks: 'Follow you follow me' / 'Ballad of big'

Blue Monday - New Order

'Blue Monday' has often been named as the best selling 12" single of all times. It was never released as a single (although a 1988 remix of the track was) and sold over one million copies when it was released. In an interview the band claimed to have written the song in response to crowd disappointment at the fact that they never played encores. This song, they say, allowed them to return to the stage, press play on a synthesiser and leave the stage again.

The 12" single's die-cut sleeve, which looks like a floppy disk, was designed by Peter Saville. A popular story about the sleeve is that it cost so much to produce it that the record company lost money on each copy sold. Although this seems very unlikely, it is probably true that New Order saw little profit from the single's success, since an investment in the Haçienda nightclub swallowed much of the money they made from their hit.

My collection: 12" single no. 157
Found: Disco Market, Den Haag, 1993
Cost: 2,5 guilders
Tracks: 'Blue Monday' / 'On the beach'

RSVP - Five Star

'R.S.V.P.' was the sixth single release from Five Star's debut album 'Luxury of life'. A limited edition poster bag was released to boost sales, featuring not only two photographs of the band but also a fact file on all five members. Apparently a cassette with dub mixes was included in the package, but I didn't get that when I bought my second hand copy years after the release.

The single peaked at number 45 in the UK singles chart, but failed to chart in other territories.

My collection: 7" single no. 3102
Found: London, May 13, 1999
Cost: 1 pound
Tracks: 'R.S.V.P.' / 'Say goodbye'

Music and lights - Imagination

Even if their music was a bit formulaic, Imagination were masters of the soulpop genre. Or rather, their producers Tony Swain and Steve Jolley knew how to create a sound that the lead singer Leee John's voice thrived in.

'Music and lights' was another example of their brand of music, and successful it was too: it reached number 12 in the Dutch Top 40 and number 5 in the UK singles chart.

My collection: 7" single no. 2876
Found: London, October 28, 1997
Cost: 50p
Tracks: 'Music and lights' / 'Music and light (instrumental)'

Everyday - Orchestral Manoeuvres in the Dark

'Everyday' was the third and last single from Orchestral Manoeuvres in the Dark's 1993 album 'Liberator'. It was also their last to be released on the 7" vinyl format. Although Paul Humphreys was no longer a member of the band, he was still one of the writers of this song.

It reached number 59 in the UK singles chart and number 60 in the German singles chart.

My collection: 7" single no. 2005
Found: HMV, London, October 18, 1993
Cost: 2 pounds
Tracks: 'Everyday' / 'Every time'

This is the right time - Lisa Stansfield

Released in August 1989, 'This is the right time' was Lisa Stansfield's first solo success, reaching number 13 in the UK singles chart. The single was released after Stansfield had a hit with the dance combo Coldcut in March that year. 'People hold on' reached number 11 in the UK singles chart and was a Europe-wide hit.

'This is the right time' was included on Stansfield's debut album 'Affection', the same album that would give her her breakthrough single, 'All around the world'.

My collection: 7" single no. 2033
Found: Sounds Familiar, London, October 19, 1993
Cost: 1 pound
Tracks: 'This is the right time' / 'Affection'

Running in the family - Level 42

The single 'Running in the family', released in February 1987, was the title track from their most successful album, released in March 1987. The band first performed the song live in 1986, but at the time it featured different lyrics.

The single release peaked at number 6 in the UK singles chart and number 3 in the Dutch Top 40. In the US Billboard Hot 100 chart, the single stalled at number 83.

My collection: 7" single no. 2821
Found: Record fair, Amsterdam, February 1, 1997
Cost: 1 guilder
Tracks: 'Running in the family' / 'Dream crazy'

Saint Saviour Square - China crisis

The fifth studio album by China Crisis was called 'Diary of a hollow horse', which earned critical acclaim, but little commercial success.

The first single from the album was 'Saint Saviour Square', which failed to chart. The B-side was a non-album track (although it was included on the cd version of the album as a bonus track). Walter Becker produced this track, as well as some tracks on the album. He is of course best known for his work with Steely Dan.

My collection: 7" single no. 2518
Found: Record Exchange, London, November 1, 1995
Cost: 1 pound
Tracks: 'Saint Saviour Square' / 'Back home'

All I want - Howard Jones

On his third album 'One to one', Howard Jones made a more or less deliberate move towards a more 'American' sound. The result was an album that lacked the glossy production of 'Dream into action' (his second album) and the beauty of 'Human's lib' (his debut album).

The first single, 'All I want' was still a rather catchy song. It was released in a limited edition 'booklet' sleeve, featuring various photographs of Howard Jones by Simon Fowler. The single reached number 35 in the UK singles chart and number 76 in the US Billboard Hot 100 chart.

My collection: 7" single no. 1036
Found: Record Exchange, London, October 17, 1989
Cost: 1 pound
Tracks: 'All I want' / 'Roll right up'

Strut - Sheena Easton

In 1984, Sheena Easton released the album 'A private heaven'. The song 'Strut' was released as the third single from the album, after the tracks 'Back in the city' and 'Hungry eyes' failed to chart in most territories. The music video and the sleeve signalled the first steps of Easton towards a more sexually suggestive image.

The single reached number 7 in the US Billboard Hot 100 chart and number 8 in Canada, but in Europe it wasn't successful.

My collection: 7" single no. 1911
Found: Leiden, May 19, 1993
Cost: 0,5 guilder
Tracks: 'Strut' / 'Hungry eyes'

Ashes to ashes - David Bowie

David Bowie revived his old character Major Tom for the 1980 single 'Ashes to ashes'. According to David Bowie, he was 'wrapping up the seventies really for myself, and that seemed a good enough epitaph for it'.

'Ashes to ashes' was released as the first single from Bowie's 'Scary monsters (and super creeps)' album (1980). It reached number 1 in the UK singles chart and number 21 in the Dutch Top 40. Major Tom, meanwhile, popped up once again in 1996 on the single 'Hallo Spaceboy'.

My collection: 7" single no. 69
Found: Wouters, Den Haag, 1980
Cost: 6 guilders
Tracks: 'Ashes to ashes' / 'Move on'

Shake the disease - Depeche Mode

'Shake the disease' was the first of many Depeche Mode singles that disappointed me upon first listening. As their music became more complex, it was less easy to like, although I still think their best work was made circa 'Ultra', one of their most difficult to grasp albums.

Released in April 1985, 'Shake the disease' was the band's 13th single in the UK, and one of two new tracks on their compilation album 'The singles (81-85)'. While not a hit in the Netherlands, it reached number 18 in the UK singles chart.

My collection: 7" single no. 291
Found: Disco Market, Den Haag, 1985
Cost: 3,5 guilders
Tracks: 'Shake the disease' / 'Flexible'

Dansen - Clouseau

The Belgian band Clouseau were the best thing since sliced bread in Belgium almost right from their early beginnings. The single 'Dansen' ('Dancing') is one of their very first releases, a powerpop track that wouldn't look too bad compared to English releases from around that time.

The lyric of the song is a simple affair about a boy who is looking forward to Saturday night, when he'll be dancing with some sultry girl in a discotheque. The single did not chart anywhere else, but it was a hit in Belgium of course.

My collection: 7" single no. 1277
Found: August 16, 1990
Cost: 1 guilder
Tracks: 'Dansen' / 'Dansen (instrumental)'