'Tokyo nights' was released as the third single from the Bee Gees 1989 album 'One', but in Europe only. In America, the track 'Bodyguard' was released as a single instead.
'One' is the second international single (and lead single in the U.S.) from the Bee Gees' 1989 album of the same name. This was the song that returned the Bee Gees back to American radio and would turn out to be their biggest US hit in the 1980s. It peaked at number 7 on the Billboard Hot 100 chart in 1989, and it stayed in the Top 40 for ten weeks.
Some single releases are just ill-advised. Take for instance this single by the Belgian Bunker Boys. Released in 1979 on the unknown (and probably self-financed) Velpia Records label, it was a cover of that year's Eurovision winner 'Halleluja'. It's a beautiful song with a beautiful melody, but this instrumental version does not do any justice to it.
In 1979, Andy Gibb performed along with the Bee Gees, ABBA, and Olivia Newton-John at the Music for UNICEF Concert at the United Nations General Assembly, which was broadcast worldwide. After this, he returned to the studio to begin recording sessions for his final full studio album, 'After Dark'.
Besides the Dutch version 'Ik zie een ster', Mouth & MacNeal also released the English version of their 1974 Eurovision Song Contest entry as a single in Europe. In the case of the Belgian pressing, the sleeve was a variation on the Dutch one, making it quite a beautiful set.
'Ik zie een ster' is the original Dutch version of the 1974 Eurovision entry by Mouth and MacNeal, 'I see a star'. Although they performed the song in English during the Contest - as a result of relaxed language rules - this single contains a version entirely in Dutch.
'Sussudio' was released as a single from Phil Collins' 1985 album 'No jacket required'. The main lyric came about as Collins was improvising lyrics to a drum machine track he had programmed: 'Suss-sussudio' was a wording that scanned improperly. After trying to find an alternative word to fit the rhythm, the singer decided to keep 'Sussudio' as the song title and lyric. The song is about a normal crush that a schoolboy may have on a girl and that by saying 'suss-sussudio' may raise speculations about the boy having a stutter.
'Massachusetts' is a song written, recorded, and released by the Bee Gees in 1967 and later appearing on their 1968 album, 'Horizontal'. It was their first Number 1 hit in the UK and eventually became one of the best selling singles of all times.
'Une petite française' was the Monegasque entry in the Eurovision Song Contest 1977, performed in French by French singer Michèle Torr. The song was composed by Olivier Toussaint and Paul de Senneville, a very successful team whose compositions were recorded by major French singers such as Michel Polnareff, Christophe, Dalida, Petula Clark, Claude François and Mireille Mathieu all through the 60s and 70s.
'Eyes' is the third and final single from the album 'Cats without claws' by Donna Summer. Edited in length from the original version on the album, the single did not achieve chart success.
'I've gotta get a message to you' is a song recorded by the Bee Gees in 1968, which became their second number 1 single in the UK singles chart. The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife.
'Let your love flow' was written by Larry E. Williams, a former roadie for Neil Diamond, and made popular by the American country music duo The Bellamy Brothers. It was offered to Neil Diamond first, but he turned it down.
'I won't let the sun go down' was Nik Kershaw's debut single, released in 1983. The song was written during the latter part of the Cold War period when nuclear war between the two superpowers of the USSR and USA was still a very real concern, and the lyrics reflect a satirical view of politics and the threat of war with lines such as: 'old men in stripey trousers, rule the world with plastic smiles', and: 'forefinger on the button, is he blue or is he red?'
'Something got me started' was the first single released from what would become Simply Red's biggest selling album, 'Stars'. The single eventually made number 11 in the UK and German charts, number 23 in the US Billboard Hot 100 chart.
'Get it' is one of Michael Jackson's lesser known duets. The track was taken from Stevie Wonder's album 'Characters' and released as its second single. Jackson worked with Wonder eight years earlier for the song 'I can't help it' for his album 'Off the wall', which was written by Wonder and former Supremes member Susaye Greene, while Wonder worked with Jackson on his top-selling 'Bad' album for the song 'Just good friends'.
'The Dollar Album' was Dollar's third album and the duo's most successful one. No less than five singles were drawn from the album, of which 'Gimme some kinda magic' was the last one.
'Desire' was released as the first single from Andy Gibb's 1980 album 'After dark'. The song was originally recorded in 1978 by the Bee Gees during sessions for their album Spirits Having Flown, and intended for release on that album. When it was rejected by the band, it was instead released expressly as an Andy Gibb song, having Andy recording a new lead vocal in 1979 replacing his brother Barry's.
You don't hear the word 'boogie' anymore. Back in the Seventies, is was the buzzword for having a good time, dancing around and generally going out of your mind. And the Jacksons, Michael included, had one of their biggest hits with 'Blame it on the boogie' in 1978.
Ann Christy's 1975 entry for the Eurovision Song Contest, 'Gelukkig zijn', was released in two versions: the original Dutch (Flemish) version, and this English translation. Both singles are considered a rarity, extremely hard to find, and so I was lucky to find both on one day.
Chris Rea released his sixth album 'Wired to the moon' in 1984, keeping up his 'one album per year' tempo without any problem, it seemed. A whopping five singles were drawn from the album, although only the first one, 'I don't know what it is but I love it', reached the UK singles chart.
Ann Christy was born as Christianne Leenaerts on 22 September 1945 in Antwerp, Belgium. She began a singing career with The Adams Orchestra. She later married the drummer, Marc Hoyois. Her first solo recordings met with little success. In 1968 she won the Knokke Cup singing contest.
'Sad song' was released as the third single from Ellen Foley's debut album 'Night out'. It featured Ellen's trademark voice, which was used to so much effect on Meat Loaf's 'Paradise by the dashboard light'.
'You surround me' was released as the second single from Erasure's fourth studio album 'Wild!'. Upon release, it became Erasure's tenth consecutive Top 20 hit on the UK singles chart, peaking at number 15. It reached number 10 on the Irish singles chart, and number 38 in Germany.
'Nights on Broadway' is a track from the Bee Gees' 1975 album 'Main course'. The second single release from the album, it immediately followed their number one hit "Jive Talkin'". The song introduced Barry Gibb's falsetto voice in the chorus. It was a turning point in Bee Gees style, as they progressed through their disco era writing songs mostly sung in falsetto by Barry. He did not know of his special "talent" until producer Arif Mardin asked someone within the group to try to do some kind of screaming during the main chorus.
'Cold love' is the second single from the Donna Summer album The Wanderer. Although the song did not gain as much success as its predecessor, it did receive a Grammy nomination for Best Female Rock Vocal Performance.
Nile Rodgers and Grace Jones produced 'Victor should have been a jazz musician', a track taken from her 1986 album 'Inside story'. As the song title suggests, it saw Jones exploring new musical territories and the spoken opening line even refers to one of the late and greats of jazz: "I went to a Nina Simone concert...". The horns on the track were played by Lenny Pickett, Stan Harrison, Steve Elson, and Mac Gollehon under the collective name The Borneo Horns.
In the autumn of 1989, 'You've got it' was released as the fourth and final single from Simply Red's third album 'A new flame'. The previous three singles had been top 20 hits in the UK, but this single wasn't as successful, peaking at number 46 only.
Pas de Deux (Walter Verdin, Dett Peyskens and Hilde van Roy) were a Belgian band, best known for their participation in the 1983 Eurovision Song Contest, and the controversy surrounding their selection as that year's Belgian representatives. 'Rendez-vous' consisted of just one line of quasi-nonsensical lyric ('Rendez-vous, maar de maat is vol en m'n kop is toe') repeated over a quirky, rhythmic instrumental track while Peyskens and van Roy danced barefoot, and seemed to baffle the conservative audience.
'What kind of fool (Heard all that before)' was written by Kylie Minogue, Mike Stock and Pete Waterman for Minogue's first compilation album 'Greatest Hits' (1992). The song was produced by Stock and Waterman and received a generally positive reception from critics. Released as the first single in the summer of 1992, it became Minogue's 19th top 20 hit in the UK and 15th in Australia.
'Still my heart cries for you' was Kayak's seventh single, a track taken from their 1976 album 'The last encore'.
Hot Chocolate had a string of hits during the Seventies. Of course, not all of their singles made it into the top 10, there were some smaller hits inbetween the big ones. Most of their songs were produced by legendary hitmaker Mickie Most and written by band members Brown and Wilson.
Released in 1968, shortly after Spain's historic Eurovision Song Contest win, Merino Costa released this cover version of Massiel's song 'La la la'. Essentially, it's a cash-in on her success, as this version is not too far removed from the original.
Paul Young made a name for himself crooning old soul hits like 'Wherever I lay my hat' and 'Love of the common people' during the Eighties. When he took on Crowded House's 'Don't dream it's over' on the occasion of the release of his greatest hits album 'From time to time' in 1991 the audience had a much harder time to swallow it.
The Bee Gees released 'How can you mend a broken heart' in 1971. Barry and Robin Gibb wrote the song in August 1970, when the Gibb brothers had reconvened following a period of break-up and alienation. They said that they originally offered it to Andy Williams, but ultimately the Bee Gees recorded it themselves and included it on their 1971 album, 'Trafalgar'.
Peter Gabriel released 'Peter Gabriel plays live' as his fifth album in 1983. The album was originally released as a double album and longplay cassette, with sixteen songs and a running time of over 80 minutes. It was eventually issued as a double CD set, and, in 1985, as a single CD version 'Plays Live – Highlights' with only twelve songs and some significant track time alterations.
'Do you remember?' was originally a track on Phil Collins's 1990 album 'But Seriously'. Shortly after the release of that album, Collins released 'Serious hits... live!', an album with live versions of his best songs. A live version of 'Do you remember?' was released as a single in the UK and Europe and managed to reach number 57 in the UK singles chart.
'One of these nights' is a song written by Don Henley and Glenn Frey and recorded by the Eagles. The title track from their 1975 album, the song became their second single to top the Billboard Hot 100 chart after 'The best of my love'. The single version was shortened from the album version of the song, removing most of the song's intro and most of its fade-out.
'Let the music play' was released by Shannon in 1983. The original version of the record was produced by Mark Liggett and Chris Barbosa. The rhythmic ingenuity of the track included a drum-machine pattern produced by a filtered Roland TR-808.
Yesterday I presented Aline's attempt at covering Wind's 'Lass die Sonne in dein Herz', today I give you Lou Prince's version. It's another unknown singer, this time from the Netherlands, who has also recorded a Dutch version of the song - though with different lyrics than Aline.
'Tennis' was Chris Rea's third album, released in 1980. The title track was released as a single ahead of the album in March 1980. The single went by without troubling the charts in any territory.
Not to be confused with the Modern Talking song from the Eighties, this single by Hot Chocolate was written by band members Tony Wilson and Erroll Brown and released in April 1973. It's a song about an interracial love affair and a father who does not approve. Founding father of British blues Alexis Korner has a spoken word part in the song.
As it says in Wikipedia: 'Kirill "Kirka" Babitzin (22 September 1950 – 31 January 2007) was a musician from Finland, but now he's dead'. It's a bit harsh, but it is the truth. There's more to the story than that of course, but there you go.
Two major compilation albums with hits by Janet Jackson have been released so far, but both of them failed to include her earliest singles. Only a UK limited edition double cd package of 'Design of a decade' (1995) included a 12" version of 'Young love', 'Say you do' and this single, 'Don't stand another chance'.
'Give me just a little more time' was originally released in 1970 as the debut single of Chairmen of the Board, an American soul band. The song was written by Holland, Dozier & Holland, who also released the single on their own Invictus label.
'No sound but a heart' was Sheena Easton's eighth studio album, released in 1987 on the EMI label. The album was issued in Canada, Mexico, Japan, and other Asian markets. The album consisted of midtempo and ballad songs. The release of 'No sound but a heart' was hampered in the United States after EMI America was absorbed into EMI Manhattan records and two scheduled release dates for the album (February and June of 1987) were not met.
There is no information available about this release, so I don't know who Aline is, but I'll wager a guess that she's from Belgium. The label, Diamonds Records, is unknown, but the photograph on the sleeve was credited to one Clement in Maasmechelen and Diamonds Records could be reached via a Belgian phone number.
After the band Shalamar split up, Jody Watley moved to England, and while there she recorded a guest vocal with British Jamaican roots reggae group Musical Youth for their album 'Different Style'. She also recorded demos with Gary Langan, Anne Dudley and J.J Jeczalik (who later became Art of Noise). A brief stint with Phonogram Records yielded two demos that were released as promo records.
