While in most of the world 'Union city blue' was released as the second single from Blondie's 1979 album 'Eat to the beat', 'The hardest part' was released in the USA and Canada. The song was written by Deborah Harry and Chris Stein, as most of the band's material.
'Reet petite' by Jackie Wilson was re-released in December 1986 after a clay animation video was shown in the BBC 2 documentary series 'Arena'. This re-release gave Jackie Wilson a big hit all over Europe, three years after his death. The single reached number 1 in the UK, the Netherlands and Ireland.
For the second time I bought the single 'If I had you' by the Korgis. I already had this version, which includes two tracks on the B-side, but this single only includes one of them. Furthermore, the sleeve design is similar to the one of 'Young 'n' Russian', also released in 1979.
Bolland and Bolland started producing themselves with this single, and in a sense it's the start of a successful career as producers.
'One man woman' was the third single by Sheena Easton, released in November 1980. Recorded at George Martin's Air Studios and produced by Christopher Neil, it was one of the tracks to be included on Sheena Easton's debut album, released in early 1981.
The song title 'Little Willy' has to be one of the most obvious double entendres of the Seventies. Still, the Sweet got away with it when they released the single in 1972. Like most of their hit singles right up to 1974, the song was written by Chinn and Chapman, who gave the band a rather lightweight pop image. The band members themselves also wrote songs: these heavier rock tracks were always relegated to the B-side (as on this single).
'Baker street' was a track on Gerry Rafferty's second album 'City to city' (1978). It was Rafferty's first release after the legal issues surrounding the formal separation of the band Stealers Wheel in 1975. Rafferty was unable to release any material for three years after the band's break up, while resolving the disputes about the band's remaining contractual recording obligations. Although the album version is 6 minutes long, the single version was shortened by almost two minutes. The song's prominent saxophone hook was played by Raphael Ravenscroft, and the guitar solo by Hugh Burns.
Chris Sullivan, Christos Tolera, Mark Reilly, 'Choco' Mick, Kito Poncioni, Geraldo d'Arbilly and Moses Mount Bassie formed Blue Rondo a la Turk in the early Eighties, naming themselves after the familiar Dave Brubeck jazz track.
Since I already own a handful of singles by Rupert Holmes, I decided to try out this single when I found it during a record fair.
The song 'Hotline to heaven' is a track on Bananarama's second self-titled album. On the album, it's a seven minute track. It was edited to half that length for the single.
Chris Rea wrote 'Stainsby girls' as a tribute for his wife Joan, a former student of the Stainsby Secondary Modern School. The single was taken from the album 'Shamrock diaries', released in 1985. The album was a number one hit in many European countries and Australia.
Although I am not familiar with most of Harpo's work, I bought three singles by him on one day. This is the third and last one.
When the compilation album 'The best of OMD' was released in 1988, the new track 'Dreaming' was released as the accompanying single. Produced by OMD and mixed by Tom Lord Alge, it was an uncharacteristically uncomplicated lovesong.
Released in February 1982, 'Five miles out' was a single from the Mike Oldfield album of the same name. The song makes numerous references to flying. It has a complex structure despite its short length. Maggie Reilly makes her first appearance on a Mike Oldfield song, but her voice is almost drowned in Mike Oldfield's voice (which is processed through a vocoder).
'Oh l'amour' was released in April 1986 as the third single by the synthpop duo Erasure. Written by members Vince Clarke and Andy Bell, the song is a lament from someone experiencing unrequited love.
People who grew up in the Eighties are usually familiar with the music video for Frankie goes to Hollywood's second single 'Two tribes', in which two actors playing Ronald Reagan and Konstantin Chernenko are in a wrestling match.
'Visage' was the fourth single by Visage, released in June 1981. It is the title track from Visage's selftitled debut album, produced by Visage and Midge Ure. This single is the German pressing, which comes in a different sleeve from the UK edition.
The EP 'Take Four' was released in 1978. It contained one new track: 'Wrekorder Wrondo', plus three previous singles. 'Sailors hornpipe' was the finale on Mike Oldfield's most famous album, 'Tubular bells', while 'Portsmouth' and 'In dulci jubilo' were top 5 hits in the UK in 1976 and 1975 respectively.
Supertramp released one of their best albums in 1977 with 'Even in the quietest moments'. 'Give a little bit' was the opening track on the album, and also released as the first single from the album. Writing credits for the song were given to Rick Davies and Roger Hodgson, members of the band, although it really is a Hodgson composition.
'The heat is on' was written by Harold Faltermeyer and Keith Forsey and recorded by Glenn Frey for the sountrack of the 1984 movie 'Beverly Hills cop'. The recording starts with an intriguing intro, then turns into a rather straightforward pop song.
Back in 1989, I didn't really like the track 'Americanos', written and performed by Holly Johnson. It was basically a listing of all the things I didn't like about the American junk culture - except maybe those Oreo cookies.
'Oh yeah' was written by Bryan Ferry. He explained in an interview: 'In this song I was trying to create a picture of Americana, and long hot summer evenings at drive-in movies. It is wistful and nostalgic, rather like a country record.'
Valaitis was born in Memel (Klaipėda), in 1943 part of the Memel Territory of East Prussia, Germany, now in Lithuania. Her father, a soldier of the Wehrmacht, was killed during World War II. At the end of the war, Valaitis, her mother, and her brother arrived as refugees in West Germany.
'Nobody's perfect' was the first single from Mike and the Mechanics' 1988 album 'The living years'. With its rather original sound, the track still failed to catch the attention of the general public and went by almost unnoticed. Still, I got to know the song because my sister bought it when it came out.
Bodo Staiger, Brigitte Kunz and Lothar Manteuffel formed Rheingold in the early Eighties. Their biggest hit was 'Dreiklangs dimensionen', released in 1982. They continued making music, and this single from 1983 is proof of that.
In 1988, Chris Rea released the album 'New light through old windows', an album of re-recordings of his own songs. Reportedly, Rea was dissatisfied with some of his earliest recordings, produced by Gus Dudgeon. There are rumours, however, that Rea wanted to dispense with royalties or contractual payments on the original recordings that would have been due under an agreement with his first manager John McCoy, with whom Rea had parted ways in the early Eighties.
'With a girl like you' was written by Reg Presley and a hit single for the Troggs in 1966. Swedish singer Harpo released his version of the song in 1978. Although the single was released all over Europe, it was not a hit.
'Walking on sunshine' is a song on Katrina and the Waves' second album of the same name. The song was released as a single from the album in a re-recorded version. This single, released in 1985, reached number 4 in Australia, number 9 in the US Billboard Hot 100 chart and number 8 in the UK singles chart.
While a member of the Bee Gees, Robin Gibb still had a solo career. During the Eighties he released three solo albums: 'How old are you', 'Secret agent' and 'Walls have eyes'. From the first of these comes this single, the title track of that album.
Donna Summer's 1979 single 'On the radio' was written for the soundtrack of the movie 'Foxes' and also included as a new track on her first international compilation album 'On the radio: greatest hits volumes 1 & 2'.
'Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)' is a 1977 disco song recorded by Chic. Luther Vandross, who was a session vocalist at the time, provided backing vocals on the track. The 'yowsah, yowsah, yowsah' of the title, which appears as a spoken interjection in the middle of the song, originated with the American jazz violinist and radio personality Ben Bernie, who popularized it in the Twenties.
Written by Holland-Dozier-Holland, 'Where did our love go' was originally a hit for the Supremes in 1964. In 1981, Amii Stewart recorded her cover version of the song, and included it on her 1981 album 'I'm gonna get your love', which was produced by Narada Michael Walden.
I read in an article on Wikipedia that the songs written by Fischer Z's John Watts drew heavily on his experience as a mental health care worker. On the B-side of this single, entitled 'Limbo', he sounds like someone who really should be committed himself - but perhaps that was the intention. I remember I was really fascinated by this track back in 1980, and although I've had it on cd for several years, I was very happy to have found this single which features the track as well.
'Who can it be now?' was the second single from the 1981 debut album by Men at work, 'Business as usual'. The lyric is the narrative of a reclusive, perhaps paranoid man who hears knocking at his house door and wishes to be left in solitude.
'Ease on down the road' is one of the lesser known Michael Jackson hits. It was taken from the 1978 movie soundtrack 'The Wiz', based on the Wizard of Oz tale. The track was produced by Quincy Jones, with vocal performances by Diana Ross and Michael Jackson. In the song, Dorothy (portrayed in the film by Ross) and the Scarecrow (played by Jackson) dance their way down the Yellow Brick Road, and give each other words of encouragement.
The Brighouse and Rastrick Brass Band was formed in 1881. Based in Brighouse, West Yorkshire, the band relies on public subscriptions and fundraising.
These days, Dutch bands find it hard to come up with a decent song, let alone decent instrumentation, but this 1981 single by Pussycat proves that it is possible even for a Dutch band to produce a great track.
'Sparvöga' is a 1989 single by Swedish artist Marie Fredriksson. It was written for the Swedish TV series 'Sparvöga', based on Ann-Charlotte Alverfors's book of the same name. The word literally means 'sparrow-eye', but it could be translated to the English word 'hawkeye', as it describes particularly sharp human eyes.
Paul Simon's legendary album 'Graceland' was brought to prominence partly because of the first single taken from the album, 'You can call me Al'. The names in the song came from an incident at a party that Simon went to with his then-wife Peggy Harper. The host of the party mistakenly called Paul 'Al', and Peggy 'Betty', inspiring Simon to write a song.
Written and produced by Jimmy Jam and Terry Lewis, 'Runaway' was one of two previously unreleased songs on Janet Jackson's 1995 compilation album 'Design of a decade 1986-1996'. It was released as the first single from that album, and much to my surprise, it was also released on 7" vinyl - albeit only in the USA. I found this copy 14 years after its release.
Germany thought it was a good idea to send in a song about a cruel warrior when the 1979 Eurovision Song Contest was organised in Jerusalem. Obviously, this spelled controversy, but the band Dschinghis Khan with the song of the same name still got away with it.
After the big hit 'Temptation' (which reached the charts all over Europe), Heaven 17 followed through with the wordy ballad 'Come live with me'. The single was a major success in the UK, where it peaked at number 5, but elsewhere it failed to appeal to the general public.
'Giving up on love' was an US only single release, which came out just prior to Astley's tour in America. The track was taken from his second album 'Hold me in your arms' and remixed by Phil Harding and Ian Curnow to give it an even poppier sound.
I was a bit surprised to find this 7" single, as it is different from the 'normal' release of 'Walk like an Egyptian', which features the track 'Angels don't fall in love' on the B-side. This UK pressing features a remix of the A-side, which as far as I know has not been released on any other format since then.
'We love you' was released as the second single from Orchestral Manoeuvres in the Dark's 1986 album 'The pacific age'.
After the third single from Wang Chung's second album 'Points on the curve', 'Dance hall days' had become a big hit, the record company decided to release a fourth single. It was a remixed version of 'Wait', another track on the album. The single managed to reach number 87 in the UK singles chart, but that was about it.
A few months ago on this blog, I wrote about Paola's 1980 Eurovision Song Contest entry, 'Cinema'. Little did I know then, that there was also a German version of this song, which was released in German speaking countries that year. This single features both the original French version and the German translation.
In 1982, the Korgis turned to legendary producer Trevor Horn for their single 'Don't look back'. It remains one of the most monumental ballads in their catalogue, with grand instrumentation and a great mournful lyric.
I truly believe the world would be a better place if Mariah Carey hadn't been discovered. But that's now, after 20 years of her vocal diarrhoea. Back in 1990, she was a fairly innocent girl, singing middle of the road ballads like 'Vision of love'. Even in this early recording, you can hear that she actually cannot hold a not, but prefers to sing 'around' it. It's a style that has since been adopted by many female singers, most recently Leona Lewis who really should shut up.
