I bought a French copy of the single 'Love is love' by Culture Club ten years ago. I still knew that, so there was no reason to buy this single other than it being the German pressing with a different cover. And, much to my surprise, as it turns out this single also has a different B-side, which is quite a good song too.
There's even more to this single: there is a mistake on the back cover of this single: the B-side is listed as 'The dream', but actually contains the song 'Mistake no. 3'. That song is taken from the band's 1984 album 'Waking up with the house on fire'.
My collection: 7" single no. 6214
Found: Record fair, Utrecht, November 17, 2019
Cost: 0,8 euro
Tracks: 'Love is love' / 'Mistake no. 3'
Wednesday, 4 December 2019
Tuesday, 3 December 2019
New Europeans - Ultravox
I don't think I am unique when I list Ultravox's album 'Vienna' among my favourites of all time, but it is, and it has been so since its release. I thought I owned all the singles taken from that album until I saw this one.
In Japan, they relegated the classic track 'Vienna' to the B-side and released 'New Europeans' as the A-side instead. This is interesting as the segue from the album has gone and the track starts 'clean'. These are the kind of details I love. That, and the unique artwork made this single an essential purchase for me.
My collection: 7" single no. 6213
Found: Record fair, Utrecht, November 17, 2019
Cost: 10 euro
Tracks: 'New Europeans' / 'Vienna'
In Japan, they relegated the classic track 'Vienna' to the B-side and released 'New Europeans' as the A-side instead. This is interesting as the segue from the album has gone and the track starts 'clean'. These are the kind of details I love. That, and the unique artwork made this single an essential purchase for me.
My collection: 7" single no. 6213
Found: Record fair, Utrecht, November 17, 2019
Cost: 10 euro
Tracks: 'New Europeans' / 'Vienna'
Confide in me - Kylie Minogue
During some time in the Nineties, Kylie Minogue had a hard time finding success. She was actually praised by 'serious' critics for her songs, but the records didn't sell as well as her earlier material. 'Confide in me' was the first single released after her lengthy collaboration with Stock, Aitken & Waterman. Produced by Brothers in Rhythm the sound was certainly more daring.
The single went to number 1 in Australia and number 2 in the UK singles chart, but in other territories it wasn't as successful. Two albums later, Kylie would be posing for H&M in lingerie and it would seem that her music career was over. Of course, it wasn't.
This single release was made for jukeboxes only, hence the absence of any cover artwork. Which is a shame, because the cd-single's artwork was rather intriguing.
My collection: 7" single no. 6212
Found: Record fair, Utrecht, November 17, 2019
Cost: 5 euro
Tracks: 'Confide in me' / 'Confide in me (Truth mix)'
The single went to number 1 in Australia and number 2 in the UK singles chart, but in other territories it wasn't as successful. Two albums later, Kylie would be posing for H&M in lingerie and it would seem that her music career was over. Of course, it wasn't.
This single release was made for jukeboxes only, hence the absence of any cover artwork. Which is a shame, because the cd-single's artwork was rather intriguing.
My collection: 7" single no. 6212
Found: Record fair, Utrecht, November 17, 2019
Cost: 5 euro
Tracks: 'Confide in me' / 'Confide in me (Truth mix)'
When the night comes - Björn Skifs
Björn Skifs was featured on this blog five years ago when I bought Fångad i en dröm, the song he performed at the Eurovision Song Contest in 1981. It was his second Eurovision performance: in 1978 he took to the Eurovision stage with 'Det blir alltid värre framåt natten'. It was released as a single both in Swedish and in English - and this single features the English version.
Skifs actually intended to cause controversy by singing in English, which could have disqualified him from the contest (since the rules of the contest stipulated that singers should perform in their native languages at the time). Although he decided to perform the song in Swedish he forgot some of the words during the performance, replacing them with gibberish. At the close of voting, it had received 26 points, placing 14th in a field of 20 competitors.
My collection: 7" single no. 6211
Found: Record fair, Utrecht, November 17, 2019
Cost: 3 euro
Tracks: 'When the nights comes' / 'Don't stop now'
Skifs actually intended to cause controversy by singing in English, which could have disqualified him from the contest (since the rules of the contest stipulated that singers should perform in their native languages at the time). Although he decided to perform the song in Swedish he forgot some of the words during the performance, replacing them with gibberish. At the close of voting, it had received 26 points, placing 14th in a field of 20 competitors.
My collection: 7" single no. 6211
Found: Record fair, Utrecht, November 17, 2019
Cost: 3 euro
Tracks: 'When the nights comes' / 'Don't stop now'
Saturday, 30 November 2019
Empire State Human - Human League
Although the Human League is known as an "Eighties band" by most people, their career actually started in 1978 with Being boiled. Their next single was 'Empire state human', released in 1979. It was the first and only single from their debut album 'Reproduction'. The single did not chart, but fared slightly better when it was re-released in 1980, reaching number 62 in the UK singles chart.
Lyrically, "Empire State Human" is a song about becoming powerful using the analogy of size, with Oakey declaring that he wants to be "tall" a total of 60 times in 3 minutes. Uncut magazine drew a comparison with Oakey's own personal ambition: ""I wanna be tall, tall, tall, as big as a wall, wall, wall". Oakey's Nietzschian pop fantasy reflected his own burgeoning full-on pop ambitions..."
My collection: 7" single no. 6210
Found: Record fair, Utrecht, November 17, 2019
Cost: 2 euro
Tracks: 'Empire state human' / 'Introducing'
Lyrically, "Empire State Human" is a song about becoming powerful using the analogy of size, with Oakey declaring that he wants to be "tall" a total of 60 times in 3 minutes. Uncut magazine drew a comparison with Oakey's own personal ambition: ""I wanna be tall, tall, tall, as big as a wall, wall, wall". Oakey's Nietzschian pop fantasy reflected his own burgeoning full-on pop ambitions..."
My collection: 7" single no. 6210
Found: Record fair, Utrecht, November 17, 2019
Cost: 2 euro
Tracks: 'Empire state human' / 'Introducing'
Tvoj dječak je tužan - Krunoslav Slabinac
Krunoslav "Kićo" Slabinac was born on March 28, 1944 in Osijek, Yugoslavia (now Croatia). During the 1960s Slabinac was a member of several rock 'n' roll bands. He then went solo and moved to Zagreb.
In 1971 he was selected to represent Yugoslavia at the Eurovision Song Contest with 'Tvoj dječak je tužan' ('Your boy is sad'). The song was not particularly successful, ending in 14th place in a field of 18 competitors. Slabinac's song "Zbog jedne divne žene" was a huge hit in his country, which solidified his status as a singer. However, later on in the decade, legal troubles and time spent abroad set back his career. After his return from the United States, Slabinac focused on folk music.
My collection: 7" single no. 6209
Found: Record fair, Utrecht, November 17, 2019
Cost: 5 euro
Tracks: 'Tvoj dječak je tužan' / 'I gori nego ja'
In 1971 he was selected to represent Yugoslavia at the Eurovision Song Contest with 'Tvoj dječak je tužan' ('Your boy is sad'). The song was not particularly successful, ending in 14th place in a field of 18 competitors. Slabinac's song "Zbog jedne divne žene" was a huge hit in his country, which solidified his status as a singer. However, later on in the decade, legal troubles and time spent abroad set back his career. After his return from the United States, Slabinac focused on folk music.
My collection: 7" single no. 6209
Found: Record fair, Utrecht, November 17, 2019
Cost: 5 euro
Tracks: 'Tvoj dječak je tužan' / 'I gori nego ja'
Saturday, 23 November 2019
Di dai, di dai dai - MFO
Mazhar Alanson, Fuat Güner and Özkan Uğur represented Turkey at the Eurovision Song Contest back when Turkey was still participating in the annual event. Their first of two attempts at eternal fame on the Eurovision stage took place in 1985 with the song 'Di dai, di dai dai'. The song title is sometimes written with the phrase 'Aşık oldum', which means 'I fell in love'.
The single was released in the Netherlands by Dureco Benelux, although I don't recall this to ever appear in any record shop I visited back then. These days the single has become quite a collectors item, fetching around 40 euros for a decent copy online. Which explains that I was rather pleased to get this for less.
My collection: 7" single no. 6208
Found: Record fair, Utrecht, November 17, 2019
Cost: 15 euro
Tracks: 'Di dai, di dai dai' / 'Di dai, di dai dai (Aşık oldum) (Turkish version)'
The single was released in the Netherlands by Dureco Benelux, although I don't recall this to ever appear in any record shop I visited back then. These days the single has become quite a collectors item, fetching around 40 euros for a decent copy online. Which explains that I was rather pleased to get this for less.
My collection: 7" single no. 6208
Found: Record fair, Utrecht, November 17, 2019
Cost: 15 euro
Tracks: 'Di dai, di dai dai' / 'Di dai, di dai dai (Aşık oldum) (Turkish version)'
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