The Dire Straits released 'Heavy fuel' as the second single from their 1991 album 'On every street'. In it, Mark Knopfler ironically extols the virtues of such conventionally frowned-upon vices as cigarettes, hamburgers, Scotch, lust, money, and violence.
The phrase 'You gotta run on heavy fuel' is from the novel 'Money' by Martin Amis, on which Knopfler based his lyric.
The single reached number 55 in the UK singles chart and peaked at number 25 in the Dutch singles chart. I didn't like the song back when it was released, but two decades on, it's actually very enjoyable. And so I got a copy a while ago.
My collection: 7" single no. 5383 Found: unknown Cost: unknown Tracks: 'Heavy fuel' / 'Planet of New Orleans'
Released in 1992, this single is a historic one of sorts, since it's the last Eurovision entry from Sweden to be released on the 7" vinyl format. In the early Nineties, vinyl was on its way out, because record companies placed all their bets on compact discs instead. Well, we know what happened next: most record companies are out of business now.
'I morgon är en annan dag' is a beautiful ballad, which is not something you hear from Sweden when they win. 'Waterloo', 'Diggi loo diggi ley', 'Fangad av en stormvind', 'Take me to your heaven' and even Euphoria were uptempo, so it's rather surprising the Swedes sometimes come up with a ballad. When they do with beauties like this, they earn the respect of those viewers like me, who think that the real treats in Eurovision are not found among the winners, but with the runners-up.
My collection: 7" single no. 5593 Found: KG Records, Sweden, received August 1, 2014 Cost: 2 euro Tracks: 'I morgon är en annan dag' / 'Demain il y a un autre jour'
Released in 1992, this single is a cover of Visage's Eighties hit 'Fade to grey'. The version comes with all the things you'd expect from an early Nineties dance track: monotonous rhythm from a box, dull synths and iffy vocals.
The vocals are apparently delivered by Katrina Baird, an English vocalist and dancer who is based in Rome. The song was recorded and mixed at MKS Studio in Italy according to the sleeve. The single, however, was made in Belgium. Some optimistic soul on Discogs.com is asking 75 euros for the CD-single, which was also released at the time. Good luck...
My collection: 7" single no. 5621 Found: Chelsea Records, Antwerpen, August 10, 2014 Cost: 1 euro Tracks: 'Fade to grey (radio mix)' / 'Fade to grey (instrumental mix)'
Ernie Englund was born as Ernest Englund in Chicago, Illinois (USA) on March 26, 1928. In 1944 he came to Sweden, where he started a career in music a decade later. He was a successful composer and trumpet player, releasing several albums and singles between 1954 and 1970.
I found this single recently, featuring an instrumental cover of Gigliola Cinquetti's Eurovision winner 'Non ho l'eta'. Presumably, the single was taken from the 1969 album 'Blue trumpet', which is listed on Discogs.com and features more instrumental covers like 'House of the rising sun' and 'I (who have nothing)'. 'Let me be your dream', he asks on the B-side of this single, but I wonder if anyone would want that, looking at the cover of this single. It doesn't matter anyway: Ernie passed away on December 21, 2001 in Hamra on Gotland (Sweden).
My collection: 7" single no. 5478 Found: Kringloop Hebbes, Den Haag, July 25, 2014 Cost: 1 euro Tracks: 'Non ho l'eta' / 'Let me be your dream'
Back in 1984, my days were filled with music videos. Coming home from school, the television would invariably entertain me with them until dinner time. I don't know why I was so obsessive about it - or maybe I do: I wanted to catch a glimpse of my favourite artists. More often than not, I didn't, of course: the hits of the day were shown ad nauseum, and sometimes something quirky would appear.
Such as the video of Holger Czukay's 'Photo song'. Which I didn't like at all. It was weird. It seemed like a lunatic had been set free from the asylum. It took me many years to see the charm of this song - but I did. I still think the music video is crazy, but now that I own the single, I can truly say I have changed my mind about the song.
My collection: 7" single no. 5382 Cost: 1 euro Tracks: 'The photo song' / 'Das massenmedium'
Taken from the album of the same name, Laurent Voulzy released 'Le coeur grenadine' in 1979. The single was a hit in France, although I haven't been able to establish just how big a hit the song was. In 2010, Laurent established a range of girls' clothing of the same name.
Voulzy entered my record collection when he released the single 'Les nuits sans Kim Wilde', but the compilation album 'Carib Islander' featured many more great pop songs. This single wasn't included, but it has the same breezy charm.
My collection: 7" single no. 5620 Found: Chelsea Records, Antwerpen, August 10, 2014 Cost: 1 euro Tracks: 'Le coeur grenadine' / 'Grimaud'
The Danish entry for the 1981 Eurovision Song Contest was the inimitable Krøller eller ej by Debbie Cameron and Tommy Seebach. I wrote about that single 18 monts ago, so I thought it would be nice to post this English edition today. I got it via mail order just over two weeks ago. I didn't know it existed, but now that I have it, it is a real find.
Tommy Seebach has had quite a life, although unfortunately he probably didn't die a happy man, judging from his biography. The Eurovision songs he's made during his career (he entered the contest on three occasions and tried to get it a few times more) were a bit camp but always enjoyable. And this English version just adds to the wonder. Listen to those strange lyrics...
My collection: 7" single no. 5589 Found: KG Records, Sweden, received August 1, 2014 Cost: 2 euro Tracks: 'Straight or curly hair' / 'Tiger'
Belgian singer Nathalie had a hit with the Peter Godwin-produced 'My love won't let you down', but the subsequent single outings haven't been quite as successful. Nathalie Gabay released three more singles before calling it quits .These days she appears to work in the fashion industry.
'The beat goes on' was Nathalie's follow-up to 'My love won't let you down', and produced by Phil Gosez, it sounds very different from its predecessor. The song itself is a cover of the 1967 hit by Sonny & Cher. The sleeve? Well, it's pure Eighties bliss, isn't it?
My collection: 7" single no. 5623 Found: Chelsea Records, Antwerpen, August 10, 2014 Cost: 1 euro Tracks: 'The beat goes on' / 'You know my name'
If you've followed this blog from the beginning, you will have seen this single before. It was taken down by Blogger because of a DMCA complaint, probably caused by the fact that in those days, you could download the tracks. Now that I stream the music, those complaints don't seem to come by anymore.
'As tears go by', a song written by Mick Jagger, Keith Richards and Rolling Stones manager Andrew Loog Oldham, was originally released by Marianne Faithfull in 1964. The Rolling Stones recorded their own version a year later, and both versions were hits both in the UK and abroad. Faithfull re-recorded the song in 1987, saying: "Forty is the age to sing it, not seventeen". The accompanying album 'Strange weather' featured 12 cover versions of songs from the 20th century.
My collection: 7" single no. 783 Found: All that music, Leiden, March 24, 1989 Cost: 1 guilder Tracks: 'As tears go by' / 'Trouble in mind (the return)'
'Kingston town' was originally released in 1970 by Lord Creator, a calypso and soca artist from Jamaica. In 1989, the song was covered by UB40 on their album 'Labour of love II', another album filled with covers in their familiar reggae stylee.
The UB40 version reached number 1 in France and the Netherlands, and was a top 10 hit in many other European countries. I never really liked the song until very recently, and so I decided to snap up a copy after all.
My collection: 7" single no. 5480 Found: Kringloop Hebbes, Den Haag, July 25, 2014 Cost: 1 euro Tracks: 'Kingston town' / 'Lickwood'
One of the reasons why the Eurovision Song Contest is derided by some people, is that some of the acts on stage have a certain dodgy quality. It's hard to explain why, but sometimes these dodgy act are what makes the contest so much fun.
One has to wonder, for example, whether Fredi & Friends, coming from Finland in 1976, seriously thought they had a chance with 'Pump pump'. The song was slightly catchy, but the group looked like they'd only rehearsed it a couple of times before losing their minds completely during the live broadcast. The enthusiasm of the female singer was a big contrast with the inertia displayed by frontman Fredi. Still, 'Pump pump' ended up on 11th place in a field of 18 contestants, so it wasn't too bad after all. And very funny, too.
My collection: 7" single no. 5586 Found: KG Records, Sweden, received August 1, 2014 Cost: 1 euro Tracks: 'Pump pump' / 'Listen to the rolling sea'
In 1973, Israel participated in the Eurovision Song Contest for the first time, creating the first occasion on which a country from outside geographical Europe competed. This is explained by the fact that the Contest is open to members of the European Broadcasting Union, an organisation that extends beyond Europe - in fact, there are members from all continents.
'All make believe' is the English version of the song 'Ey sham', which was performed (in Hebrew) by Ilanit. She reached fouth position with the song. Ilanit participated in the 1977 edition as well, and would also have participated in 1984, but her entry was withdrawn when the broadcast day coincided with an Israeli memorial day.
My collection: 7" single no. 5612 Found: Chelsea Records, Antwerpen, August 10, 2014 Cost: 3 euro Tracks: 'All make believe' / 'Still the green grass grows'
Nu Shooz is an American Freestyle-R&B-Dance group fronted by husband-and-wife team of John Smith and Valerie Day, based in Portland, Oregon. The Shooz released four albums in the U.S. during the 1980s, and it was its third album, Poolside, that brought the group's sound to a wider audience.
The single "I Can't Wait", taken from that album, climbed to number 2 on the R&B charts and number 3 on the Billboard Hot 100 chart in June 1986. In Europe, it was a top 10 hit in many countries, and included in many DJ megamixes which were so popular at the time.
My collection: 7" single no. 5481 Found: Kringloop Hebbes, Den Haag, July 25, 2014 Cost: 1 euro Tracks: 'I can't wait' / 'Make your mind up'
For some reason I never managed to secure a copy of the Bee Gees' 'Spirits having flown' until now. I did buy a copy some years ago, but that one turned out to have a different single inside the sleeve. If I'd noticed it earlier, the dealer wouldn't have made any money of me, but in this case, I was too slow.
This time I had more luck. This Portuguese copy of the single features a different sleeve (although it has to be said that it's only different from the Dutch version, as the UK version didn't have a picture sleeve at all) and had the right disc inside.
Great! This is actually one of the trio's better tracks, in my humble opinion.
My collection: 7" single 5372 Cost: 1 euro Tracks: 'Spirits (having flown)' / 'Wind of change'
One would not expect a title like "It's beginning to look like love, damn it" to enter the Eurovision Song Contest back in the Sixties, but that's exactly what the title of this Swedish entry means.
Claes-Göran Hederström represented his country a year after his television debut and this became his most recognised song, partly thanks to its unconventional title and partly because of its humorous lyrics. The fact that this song ended up fifth in a field of 17 contestants also helped, of course.
My collection: 7" single no. 5583 Found: KEG Records, Sweden, received August 1, 2014 Cost: 2 euro Tracks: 'Det börjar verka kärlek, banne mej' / 'Natten är så lång'
Every once in a while I get to buy a single I've been searching for - I mean, actively searching for - for many years. Earlier this week I finally had this beauty in my mailbox. It's the, frankly, rather bizarre Norwegian entry for the 1980 Eurovision Song Contest. Entitled 'Sámiid Aednan', the song was inspired by the autonomy movement among the Sami people of northern Norway. The line "framførr tinget der dem satt, hørtes joiken dag og natt" (in front of the parliament where they sat, the yoik was heard day and night), refers to a hunger strike in front of the Norwegian parliament building.
It is quite remarkable that such a politically-laden song made it into the contest, but even more remarkable is the song itself: after a rather traditional start, the song suddenly breaks off at 1'25 with Mattis Hætta contributing his yoik - a Sami form of vocal music without words. The song finished 16th in a field of 19 contestants.
My collection: 7" single no. 5601 Found: Discogs.com, received August 6, 2014 Cost: 6 euro Tracks: 'Sámiid Aednan' / 'Detsikavisa'
Re-recording songs is seldom a good idea. Too many artists have re-recorded their hits from the beginning of their career, and it usually signalled a lack of creativity or it was motivated by legal complications involving greedy record companies.
Gigliola Cinquetti decided to re-record 'Non ho l'eta' in 1990. I have found no information why she did it, but one would guess it was prompted by Italy's Eurovision win that year, when Toto Cotugno performed 'Insieme: 1992' in Zagreb and won the Contest. She went on to present the 1991 edition together with Toto. This version is unfortunately not as charming as the original track from 1964.
My collection: 7" single no. 5477 Found: Kringloop Hebbes, Den Haag, July 25, 2014 Cost: 1 euro Tracks: 'Non ho l'eta'... [1990 version]' (Gigliola Cinquetti) / 'Gli occhi miei' (Dino)
No-one pronounces the word 'action' quite like Alicia Bridges, who scored a big hit in 1978 with 'I love the nightlife'. The song was a favourite in discotheques and was covered by artists like Laura Branigan, Bronski Beat and Taylor Dayne.
It also appeared in several Simpsons episodes and the movies 'Priscilla, queen of the desert' in 1994.
My collection: 7" single no. 5475 Found: Kringloop Hebbes, Den Haag, July 25, 2014 Cost: 1 euro Tracks: 'I love the nightlife' / 'Self applause'
Although I do have a single with Peter Gabriel's 'Games without frontiers' on it (see it here) I really wanted to have the original single as well. So here it is, in all its weird glory.
For me, this single is also a celebration of the fact that in six weeks I will get to see the backing singer on this track, Kate Bush, live. Will Peter Gabriel appear live on stage with her? There is no telling, but it would be quite a thrill if they were to perform this track - or that other immortal duet 'Don't give up' live together. We'll wait and see...
My collection: 7" single no. 5470 Found: Kringloop Hebbes, Den Haag, July 25, 2014 Cost: 1 euro Tracks: 'Games without frontiers' / 'The start I don't remember'
There was a bit of excitement recently when a compilation album of Eighties 12" remixes - you know the ones - suddenly included a rare remix. It was the dance mix by John Potoker of Peter Gabriel's 'Sledgehammer', released only once previously on this limited edition 12" single. The regular 12" single simply contained the album version of the track, so this remix was a bit of a rarity.
Now that the track has finally been released on cd, it was time to dig out my own crackly vinyl copy, so you can listen to 'the real thing', so to speak. Music on vinyl is what it's all about, after all...
My collection: 12" single no. 652 Found: unknown Cost: unknown Tracks: 'Sledgehammer (dance mix by John Potoker)', 'Don't break this rhythm' // 'Biko (12" extended version)', 'I have the touch ('85 remix)'
