'Let Me Be the One' was the fourth single taken from Five Star's debut album 'Luxury of life', released in the summer of 1985.
Bizarrely, Mark Knopfler from the Dire Straits wrote 'Money for nothing' during a visit at a New York appliance store. At the back of the store, there was a wall of TV's which were all tuned to MTV. A man working there, dressed in a baseball cap, work boots, and a checkered shirt was watching them. As he was standing there, Knopfler remembers the man coming up with classic lines such as 'what are those, Hawaiian noises? That ain't workin'' etc. Knopfler asked for a pen to write some of these lines down and then eventually put those words to music. According to Knopfler: 'He's singing the song. I wanted to use a lot of the language that the real guy actually used when I heard him, because it was more real...'
For a long time, I didn't even know this single existed. It didn't chart and no mention of it was made in any of the music publications at the time. It must have been bad promotion, then, that caused this single to go down so badly.
You could wonder if it's a good idea to re-release a song that was not successful the first time around, years later on the occasion of a compilation album, but without any promotion or even any new tracks or remixes to go with it. But that's exactly what happened with this single. 'The biggest fool of all' was originally released in 1987 as the second single from Cock Robin's second album 'After here through midland', but it flopped in most territories.
'When we were young' was a change in direction for Bucks Fizz. The production was heavy and the song had an ominous tone, far removed from the group's usual pop sound. It was the first and only single to feature lead vocals by Jay Aston. Aston's vocals were notably different from her solo appearances on previous Bucks Fizz songs Aston herself has said that she was adopting an effected voice, similar to Hazel O'Connor. She has since stated, despite the song's success, her vocal affectation wasn't a good idea, although has rated it her favourite Bucks Fizz song, while member Cheryl Baker has commented that she never liked the song due to its downbeat tone.
'She bop' was, for some, a controversial song as the lyric was full of allusions to masturbation, such as 'They say I better stop / or I'll go blind'. Lauper said she wanted little kids to think the song was about dancing, and to understand the real meaning as they got older. This is probably why the lyric is quite oblique.
'That was yesterday' was the second single from Foreigner's album 'Agent provocateur'. The song was written by Lou Gramm and Mick Jones and was remixed for the single release.
'A better love' was the second single taken from London Beat's second album 'In the blood'.
It was quite a brave move for Billy Idol to record a cover version of the Doors' famous track 'L.A. Woman', the title track of the band's last album before Jim Morrison died. But his version turns out surprisingly well, adding a lot of power to the track that was already fast paced to begin with.
Kirsten Siggard (born September 7, 1954) and Søren Bundgaard (born March 4, 1956) were no strangers to the Eurovision Song Contest when they represented Denmark in 1988: they first entered in 1984 as Hot Eyes with the song 'Det' lige det'. They returned in 1985 with the song 'Sku' du spørg' fra no'en?'. They reached 4th and 11th place respectively.
I didn't hear 'Follow you follow me' until the second half of the Eighties, and I couldn't believe this was a song from 1978. The track was taken from Genesis's ninth studio album 'And then there were three...', a title to reflect the departure of band member Steve Hackett, reducing the band to a trio. This lineup would last until 1996, and give them their biggest mainstream successes.
'Blue Monday' has often been named as the best selling 12" single of all times. It was never released as a single (although a 1988 remix of the track was) and sold over one million copies when it was released. In an interview the band claimed to have written the song in response to crowd disappointment at the fact that they never played encores. This song, they say, allowed them to return to the stage, press play on a synthesiser and leave the stage again.
'R.S.V.P.' was the sixth single release from Five Star's debut album 'Luxury of life'. A limited edition poster bag was released to boost sales, featuring not only two photographs of the band but also a fact file on all five members. Apparently a cassette with dub mixes was included in the package, but I didn't get that when I bought my second hand copy years after the release.
Even if their music was a bit formulaic, Imagination were masters of the soulpop genre. Or rather, their producers Tony Swain and Steve Jolley knew how to create a sound that the lead singer Leee John's voice thrived in.
'Everyday' was the third and last single from Orchestral Manoeuvres in the Dark's 1993 album 'Liberator'. It was also their last to be released on the 7" vinyl format. Although Paul Humphreys was no longer a member of the band, he was still one of the writers of this song.
Released in August 1989, 'This is the right time' was Lisa Stansfield's first solo success, reaching number 13 in the UK singles chart. The single was released after Stansfield had a hit with the dance combo Coldcut in March that year. 'People hold on' reached number 11 in the UK singles chart and was a Europe-wide hit.
The single 'Running in the family', released in February 1987, was the title track from their most successful album, released in March 1987. The band first performed the song live in 1986, but at the time it featured different lyrics.
The fifth studio album by China Crisis was called 'Diary of a hollow horse', which earned critical acclaim, but little commercial success.
On his third album 'One to one', Howard Jones made a more or less deliberate move towards a more 'American' sound. The result was an album that lacked the glossy production of 'Dream into action' (his second album) and the beauty of 'Human's lib' (his debut album).
In 1984, Sheena Easton released the album 'A private heaven'. The song 'Strut' was released as the third single from the album, after the tracks 'Back in the city' and 'Hungry eyes' failed to chart in most territories. The music video and the sleeve signalled the first steps of Easton towards a more sexually suggestive image.