As the Eighties drew to a close, the career of Spandau Ballet was also seemingly coming to an end. The album 'Heart like a sky' did not meet the expectations commercially speaking, and the singles taken from the album also had little success in the charts.
'Empty spaces' was the third single from 'Heart like a sky', and stalled at number 94 in the UK singles chart. In other territories, the single did not chart at all.
My collection: 7" single no. 1142 Found: Melody Maker, Den Haag, January 13, 1990 Cost: 6,5 guilders Tracks: 'Empty spaces' / 'Fight for ourselves (live)'
'That's the way love goes' was written and produced by Janet Jackson with Jimmy Jam and Terry Lewis. Jackson came up with the title, inspired by the downbeat tone of the music created by Jam and Lewis.
Although the record company wanted to have 'If' as the first single from Janet's new album in 1993, Jam and Lewis argued that 'That's the way love goes' would be the better choice. They were right: it was a number 1 hit in the US Billboard Hot 100 chart, also reaching number 5 in the Dutch Top 40 and number 2 in the UK singles chart.
My collection: 7" single no. 2003 Found: HMV, London, October 18, 1993 Cost: 2 pounds Tracks: 'That's the way love goes' / 'That's the way love goes (instrumental)'
Metallica's James Hetfield wrote this song while on the phone with his girlfriend. Since he held the phone with one hand, he plucked the four open strings with the other, which eventually made up the first two bars of the song. The lyrics were also dedicated to his girlfriend, which talk about being 'so close, no matter how far', indicating the bond they shared even when Hetfield was on tour. Initially, the song wasn't meant to go on the album, and Hetfield had written it for himself, but when drummer Lars Ulrich heard it, it was recorded for the album anyway.
The single reached number 5 in the Dutch Top 40 and number 6 in the UK singles chart. The band re-recorded the track with a full orchestra in 1999 for the album 'S&M'.
My collection: 7" single no. 1816 Found: Melody Maker, Den Haag, January 9, 1993 Cost: 6,5 guilders Tracks: 'Nothing else matters' / 'Enter sandman (live)'
Elpida Karayiannopoulou was born October 1, 1950 in Spercheiada, Greece. At 14, she moved to Athens with her two older brothers to study. After this, she started a career in music when she became a singer of an orchestra, eventually recording an album with them and then forging her own career.
She became internationally known when she represented Greece during the 1979 Eurovision Song Contest with the song 'Socrates'. She finished eighth out of 19 competitors. She returned to the contest in 1986, representing Cyprus with the song 'Tora zo'.
My collection: 7" single no. 4570 Found: Marktplaats.nl, received February 20, 2010 Cost: 2 euro Tracks: 'Socrates' / 'Pou na ise agapi'
Written by Susanna Hoffs with Tom Kelly and Billy Steinberg, 'Eternal flame' was inspired by two eternal flames: one for Elvis Presley that Michael Steele saw when the band was at Graceland, and one at a local synagogue in Palm Springs which Steinberg attended as a child. Steinberg: 'Susanna was talking about The Bangles having visited Graceland, and she said there was some type of shrine to Elvis that included some kind of eternal flame. As soon as those words were mentioned, I immediately thought of the synagogue in the town of Palm Springs, California where I grew up. I remember during our Sunday school class they would walk us through the sanctuary. There was one little red light and they told us it was called the eternal flame.'
Released as a single from the Bangles' 1988 album 'Everything', it reached number 1 in the USA, the UK, the Netherlands, Australia, Ireland, Norway and Sweden.
My collection: 7" single no. 734 Found: Melody Maker, Den Haag, February 7, 1989 Cost: 6,5 guilders Tracks: 'Eternal flame' / 'What I meant to say'
American-born Dutch singer Lori Spee released her third album 'Intuition' in 1983. The single 'Sugar' was taken from this album in January 1984. Supported by a concert tour in the Netherlands, the single still didn't manage to conquer a place in the Dutch Top 40.
It is actually a nice song, although it was maybe a bit too 'middle of the road' in this synthpop-dominated era in music.
My collection: 7" single no. 1236 Found: Disco Market, Den Haag, May 25, 1990 Cost: 1 guilder Tracks: 'Sugar' / 'Time alone'
Personally, I think the best Police track is 'Synchronicity II', as it displays an amount of aggression that is not equalled in any other piece of music I know. The title refers to Carl Jung's theory of Synchronicity. It tells the story of an emasculated husband and harried father whose home, work life, and environment are terrible and depressing. One of the best lines in the track is 'every single meeting with his so-called superior/is a humiliating kick in the crotch', as the visual image underlines the music so well.
According to Sting: 'Jung believed there was a large pattern to life, that it wasn't just chaos. Our song 'Synchronicity II' is about two parallel events that aren't connected logically or causally, but symbolically.'
I have two copies of this single: the regular UK single featuring the B-side 'Once upon a daydream', and a Brazilian copy, which features the earlier single 'Wrapped around your finger' on the B-side. 'Synchronicity II' reached number 17 in the UK singles chart.
My collection: 7" single no. 1166 / no. 3247 Found: Record fair, 1990 / London, October 20, 2000 Cost: 5 guilders / 1 pound Tracks (no. 1166): 'Synchronicity II' / 'Wrapped around your finger' Tracks (no. 3247): 'Synchronicity II' / 'Once upon a daydream'
Gry Johansen was born August 28, 1964. She represented Denmark during the 1983 Eurovision Song Contest with the song 'Kloden drejer' ('The planet's spinning'). The song finished 17th out of 20 competitors. She made two further bids for Eurovision in Denmarkt in 1989 and 2000, but both times she was unsuccessful.
This single features an English version of 'Kloden drejer', entitled 'We're like starlight'. It was released in several European countries, but without commercial success.
My collection: 7" single no. 4407 Found: Second Life Music, Amsterdam, December 30, 2009 Cost: 1 euro Tracks: 'We're like starlight' / 'For one more night'
Following Depeche Mode's single 'A question of lust', 'A question of time' was released as Depeche Mode's 17th single in August 1986. The track was remixed for the single, running at a slightly faster temp and pitch than the album version on 'Black celebration'. The accompanying music video was the first to be directed by Anton Corbijn and brought forth a big relationship with him and the band which still lasts to this day.
The single reached number 17 in the UK singles chart, but was unsuccessful in many other territories.
My collection: 7" single no. 474 Found: Free Record Shop, Den Haag, 1985 Cost: 6 guilders Tracks: 'A question of time (remix)' / 'Black celebration (live)'
David Bowie has claimed that 'Modern love' was inspired by Little Richard, and it maintains the album's theme of a struggle between God and man. It was the first track on his 1983 album 'Let's dance' and released as its third single.
By the time 'Modern love' was issued and edited as a single, Bowie's Serious Moonlight Tour was underway. The track had become a popular encore on the tour. A live version, recorded in Montreal on July 13, was on the B-side. It reached number 2 in the UK singles chart, number 9 in the Dutch Top 40 and number 14 in the US Billboard Hot 100 chart.
My collection: 7" single no. 1253 Found: Parkpop, Den Haag, June 24, 1990 Cost: 2 guilders Tracks: 'Modern love' / 'Modern love (live)'
This promotional 12" single was released in the USA in support of 'Spark', the first single from Tori Amos's 1998 album 'From the choirgirl hotel'. It is a very interesting item, because of the B-side: the instrumental version of 'Spark' was not released on any other format, either commercially or on any other promotional item. This is why this 12" single is still sought after among Tori Amos fans.
I was lucky enough to find a copy during a record fair in the Netherlands, and I've treasured the item ever since.
My collection: 12" single no. 365 Found: Record fair, 1998 Cost: 25 guilders Tracks: 'Spark' / 'Spark (instrumental)'
According to Jeff Lynne, 'The diary of Horace Wimp' is 'a song about a lucky lad who somehow defies the odds and gets the girl. Really wild use of the vocoder.' Originally released on the album 'Discovery' (1979) by the Electric Light Orchestra, it was subsequently released as a single.
The single reached number 8 in the UK singles chart, number 10 in Ireland and number 48 in Australia.
My collection: 7" single no. 1023 Found: Record Exchange, London, October 17, 1989 Cost: 10p Tracks: 'The diary of Horace Wimp' / 'Down home town'
During the first half of the Eighties, the Dutch band Doe Maar achieved the status of superband within the boundaries of the Netherlands with their Dutch language songs. They were going in against the trend of bands singing in English, during a period when Dutch language music was anything but cool. With a mixture of ska and funk (simply named 'Skunk' by the band) they created music that had an inexplicable appeal to young girls.
The single 'De bom' ('The bomb') was all about the threat of nuclear weapons that ran rampant during this cold war period. The lyric underlined the meaninglessness of life when a bomb was hanging over our heads. It gave the band their first number 1 hit in November 1982 - and in the two years that followed, Doe Maar's fanbase was often compared to the one of the Beatles during their heydays.
My collection: 7" single no. 2250 Found: Disco Market, Den Haag, March 4, 1995 Cost: 1 guilder Tracks: 'De bom' / 'Skunk', 'Man o man'
'It's alright (Baby's coming back)' was a slight return by Eurythmics to the electronic-based sounds of their earlier albums. Driven by a subtle drum machine track, Lennox sings a straightforward ode to a lover returning to her after a long absence. The instrumental passages feature some elaborate multitracked harmony guitar parts from Stewart.
The track was released as the fourth and final single from their album 'Be yourself tonight'. It peaked at number 12 in the UK singles chart and number 20 in the Dutch Top 40.
My collection: 7" single no. 2027 Found: Record Exchange, London, October 19, 1993 Cost: 50p Tracks: 'It's alright (Baby's coming back)' / 'Conditioned soul'
'Another weekend' was a comeback of sorts for Five Star. It was the first single from their fourth album 'Rock the world'. Due to declining record sales, the group were intent on changing their clean-cut image. They opted for a new, raunchier leather-clad look, whilst the track demonstrated a slightly harder edged dance sound. Vocals sounded a bit like the Michael Jackson style of singing, with lots of exclamations.
The single was released as a limited edition in the UK, featuring a gatefold sleeve and five 7" square stickers, each featuring one band member. The single reached number 18 in the UK singles chart.
My collection: 7" single no. 3192 Found: Record fair, Amsterdam, September 16, 2000 Cost: 5 guilders Tracks: 'Another weekend' / 'The mews'
I wouldn't exactly mind if Margaret Thatcher, the former leader of the UK's Conservative Party, would have a very long, painful and unpleasant death bed. I don't often wish for bad things for people, but that sorry excuse for a woman has caused so much grief in her country, that she deserves nothing less than a revengeful payback.
Thankfully, I am not alone in feeling this way: Morrissey once recorded the very pleasant track 'Margaret on the guillotine' (with the repeated line 'When will you die?') and Simply Red recorded 'Your mirror' on their 1992 album 'Stars'. It is an extended critique of the Thatcherite politics. The song criticises the selfishness, individualism and nationalism (including attachment to nuclear weapons) that typified it. The opening verse references Thatcher's famous 'There is no such thing as society' speech. The song suggests these attitudes are inhuman and unnatural by contrasting them with the human instinct towards sharing, and (more fancifully) with the natural environment - the birds singing their 'faithful song' - and a sense of inner beauty. The single reached number 17 in the UK singles chart.
My collection: 7" single no. 1688 Found: Melody Maker, Den Haag, August 1, 1992 Cost: 6,5 guilders Tracks: 'Your mirror' / 'Your mirror (live)'
'It's over' was the fourth single release from Level 42's bestselling album 'Running in the family', released in 1987. In contrast to most of their singles, this track was a ballad, with the absence of the trademark thumping bassguitar sound by Mark King. The track was remixed for the single release.
The single reached number 10 in the UK singles chart and number 7 in the Dutch Top 40.
My collection: 7" single no. 1392 Found: All that music, Leiden, February 22, 1991 Cost: 3 guilders Tracks: 'It's over' / 'Physical presence (live)'
The end of Kerwin Duinmeijer's life was not a pretty one: the boy from the Netherlands Antilles was stabbed by a skinhead in Amsterdam, and when he managed to get to a taxi, the driver didn't want to transport him to a hospital because he didn't want any blood on his backseat. It was a death that shocked the Netherlands back in 1983, and it inspired Frank Boeijen to write 'Zwart wit' ('Black and white'), with the immortal line: 'Wie wil er bloed op de achterbank van de werkelijkheid' ('Who wants blood on the backseat of reality').
The song, bizarrely, gave the Frank Boeijen Groep their first top 10 hit. Upon its release in January 1984, it reached number 4 in the Dutch Top 40. Even now, it is recognised as one of the cornerstones of Dutch pop from the Eighties.
My collection: 7" single no. 225 Found: LP Top 100, Den Haag, 1984 Cost: 5,5 guilders Tracks: 'Zwart wit' / 'Kamer voor twee'
Nathalie Paque was born on May 11, 1977 in Liège, Belgium. She was selected to represent France during the 1989 Eurovision Song Contest. Although Sandra Kim's victory for Belgium at the age of 14 was already three years before, some countries were still playing the paedophile card, hoping to score with a cute looking youngster. (Thankfully, or regrettably, these days there's a Junior Song Contest for this kind of thing.)
Since the EBU was prompted by the very young age of Paque to set an age limit in 1990, barring any children from under 16 from the contest, she will always be the youngest participant in the Contest ever: at just 11 years old. She sang 'J'ai volé la vie' ('I've stolen life'), an unremarkable song that finished eighth out of 22 participants.
My collection: 7" single no. 4398 Found: Second Life Music, Amsterdam, December 30, 2009 Cost: 1 euro Tracks: 'J'ai volé la vie' / 'J'ai volé la vie (instrumental)'
'Bedshaped' was released as the third single from Keane's debut album 'Hopes and fears' in August 2004. According to Tim Rice-Oxley, the song is 'about feeling that you've been 'left behind' by an old friend or lover, and about hoping that you'll be reunited one day so that you can live out the end of your lives together the way you started them (...) a hope that they'll eventually want to get away from the bright lights and come back home. it's a sad and angry song, but also full of hope. I think I'm right in saying that in hospital when someone is ill and has to spend a lot of time in bed they can become 'bedshaped'. It sounds a bit depressing (...) but in the context of the song I wanted to suggest old age and frailty.'
A 7" vinyl single was released as a numbered limited edition in the UK. My copy is number 249. 'Bedshaped' reached number 10 in the UK singles chart and number 26 in the Dutch Top 40.
My collection: 7" single no. 4569 Found: Discogs.com, received February 19, 2010 Cost: 5 pounds Tracks: 'Bedshaped' / 'Something in me was dying'
There's always something quite hypocritical about famous stars who complain about their life as a celebrity. Basically what they're saying is: all this fame and fortune, it doesn't come with fulfillment and happiness, and all the downsides really get you down. Madonna went as far as writing a song about it. 'American life' is Madonna's account of her life up to that point, with all these familiar complaints to go with it. Strangely, she didn't pull out of the music business, which would end all her 'troubles'.
This single version edits out all the 'fuck it's that were included in the unedited version. American people still seem to have trouble listening to certain words. The single, meanwhile, reached number 1 in Canada, Denmark, Italy and Switzerland, while peaking at number 37 in the US Billboard Hot 100 chart, number 13 in the Dutch Top 40 and number 2 in the UK singles chart.
My collection: 7" single no. 4568 Found: Discogs.com, received February 19, 2010 Cost: 3 pounds Tracks: 'American life (radio edit)' / 'Die another day (Richard Humpty Vission radio edit)'
Julio Iglesias was born on September 23, 1943. After studying law in Madrid he was a goalkeeper for the football team of Real Madrid. A car crash in 1963 ended his career in football. It took him three years to recuperate, after which he started a career in music. He won the Benidorm International Song Festival in 1968, which was an important stepping stone to get himself a record deal.
In 1970, he represented Spain during the Eurovision Song Contest with 'Gwendolyne', a beautiful ballad written by Iglesias himself about his first girlfriend, a French girl whom he met at the age of 20. It was his first major international TV appearance. The song finished fourth in a field of 12 competitors. It went on to become his first number 1 single in Spain. Since then, Iglesias has become one of the best selling artists in history.
My collection: 7" single no. 4567 Found: Marktplaats.nl, received February 18, 2010 Cost: 2,5 euro Tracks: 'Gwendolyne' / 'Bla bla bla'
When the television series 'Twin Peaks' hit the screens in the early Nineties, it was a sensation. Not only was I in awe of the series, but the music, composed by Angelo Badalamenti, and the songs, performed by Julee Cruise, were wonderful as well. Of course, I bought the soundtrack and the single 'Falling' as soon as I could.
Then, during a holiday in Austria, I found a cd-single by the D. twins, also entitled 'Falling'. After I bought the cd-single, it turned out to be a weird dance version of the track, performed by an anonymous group of dj's and/or producers. My friend Puck turned up a second cd-single a few months later. And then, a few months after that, I found this 12" single. Made in Italy, the label promised four remixes which incidentally all proved to be on the cd-singles anyway. But upon playing the disc, I found out that the actual playlist was a bit shorter: it contained two remixes that were not mentioned on the label at all! And these two were on the cd-singles as well. How confusing. I guess this is a collector's item of sorts.
My collection: 12" single no. 233 Found: Record fair, Amsterdam, January 1994 Cost: 5 guilders Tracks (on label): 'Falling (Twin club mix)', 'Falling (10 dance mix)' / 'Falling (Peaks version)', 'Falling (Meditation mix)' Tracks (actual): 'Falling (Club mix)' / 'Falling (New version remix)'
'Empty rooms' was re-released in 1985 after an earlier release in 1984 failed to chart. The track was slightly remixed and called the 'Summer 1985 version'.
It seemed to be a successful strategy: this time around, the single actually charted and reached number 23 in the UK singles chart.
My collection: 7" single no. 341 Found: Free Record Shop, Den Haag, 1985 Cost: 6 guilders Tracks: 'Empty rooms (Summer 1985 version)' / 'Out of my system'
Released in November 1988, 'Four letter word' was the first ballad released by Kim Wilde as a single. All through her career, which at the time spanned eight years, she'd released up-tempo songs, but the fourth single from her very successful sixth album 'Close' was in a sense a novelty. It was also the last single by Kim Wilde to be written by her brother Ricky and her father Marty. Kim had become increasingly involved in songwriting and Marty was stepping down.
The single was another successful release, peaking at number 8 in the Dutch Top 40 and number 6 in the UK singles chart. The B-side of this single was a new version of a track from her previous album, 'Another step' (1986).
My collection: 7" single no. 690 Found: Melody Maker, Den Haag, November 24, 1988 Cost: 6,5 guilders Tracks: 'Four letter word' / 'She hasn't got time for you '88'
After the release of their second album 'Children', the Mission released the single 'Tower of strength' from that album. The single version was edited down from the 8 minute album version to 4 minutes 30 seconds. It still retained much of the strength and character of the track, and so the band were rewarded with their biggest hit yet.
'Tower of strength' was the first single by the Mission to achieve some success abroad: it reached number 30 in the Dutch Top 40 in April 1988. Two months prior to that, the single reached number 12 in the UK singles chart.
My collection: 7" single no. 795 Found: Disco Market, Den Haag, April 15, 1989 Cost: 1 guilder Tracks: 'Tower of strength' / 'Fabienne', 'Breathe (vocal)'
Phil Collins has said that 'Don't lose my number' was actually written during the recording sessions for his debut solo album 'Face value'. It turned up four years later on his third album 'No jacket required'. The lyric of the song was partly improvised, and Collins admitted that he does not fully understand what they mean.
The single was not released in the UK, but was in most of Europe and in the USA. It reached number 4 in the US Billboard Hot 100 chart.
My collection: 7" single no. 1564 Found: All that music, Leiden, January 2, 1992 Cost: 2 guilders Tracks: 'Don't lose my number' / 'We said hello goodbye'
This limited edition 7" single of 'A better love' was not only housed in a gatefold sleeve, it also gave the buyer two acoustic versions of London beat tracks: 'A better love' and 'I've been thinking about you'. A good deal, especially if, like me, one was able to find this single at discount price in a second hand shop.
The single was released in the UK to boost sales of 'A better love'. It didn't help much: at the time of release it only made number 52. A re-release six months later would be more successful, as it got to number 23.
My collection: 7" single no. 2372 Found: House of Rhythm, London, July 1, 1995 Cost: 1 pound Tracks: 'A better love (acoustic)', 'I've been thinking about you (acoustic)' / 'A better love'
Like many Prince songs, 'Mountains' focuses on Christian motifs. The lyric most obviously references Jesus' speech on the general theological theme of God's omnipotence: 'In answer Jesus said to them: 'Truly I say to you, if only you have faith and do not doubt, not only will you do what I did to the fig tree, but also if you say to this mountain, 'Be lifted up and cast into the sea,' it will happen.' (Matthew 21:21)
Written by Prince with his band members Wendy Melvoin and Lisa Coleman, it was one of Prince's relatively unsuccessful singles of the Eighties, reaching number 23 in the US Billboard Hot 100 chart and number 20 in the Dutch Top 40, but only number 48 in the UK singles chart.
My collection: 7" single no. 443 Found: Free Record Shop, Den Haag, August 2, 1986 Cost: 3 guilders Tracks: 'Mountains' / 'Alexa de Paris'
Written by Jimmy Webb, 'MacArthur park' was originally recorded by Richard Harris in 1968. Donna Summer recorded her version as part of the 'MacArthur Park Suite' on her 1978 album 'Live and more', clocking in at 8 minutes and 40 seconds.
A shorter single edit was made for a release on 7" vinyl. It became Donna Summer's first number 1 hit in the USA, also peaking at number 9 in the Dutch Top 40 and number 5 in the UK singles chart.
My collection: 7" single no. 1661 Found: Disco Market, Den Haag, June 6, 1992 Cost: 1 guilder Tracks: 'MacArthur park' / 'Once upon a time'
With a hit album ('Joyride') under their belt, Roxette toured extensively in 1991 and 1992. During that tour, they decided to record songs on the road, in hotel rooms, studios and throwing in some live recordings as well. The album 'Tourism' (1992) was born, and the first single from that album was 'How do you do!', a typically upbeat Roxette track.
The single reached number 58 in the US Billboard Hot 100 chart, number 2 in Germany, Sweden and the Netherlands and number 13 in the UK singles chart. The B-side is a live version of 'Fading like a flower' which was not included on the album.
My collection: 7" single no. 1686 Found: Melody Maker, Den Haag, July 11, 1992 Cost: 6,5 guilders Tracks: 'How do you do!' / 'Fading like a flower (live)'
Nirvana frontman Kurt Cobain described 'Lithium' as 'one of those songs I actually did finish while trying to write it instead of taking pieces of my poetry and other things'. He added that the sog is about a man who, after the death of his girlfriend, turns to religion 'as a last resort to keep himself alive. To keep him from suicide. I did infuse some of my personal experiences, like breaking up with girlfriends and having bad relationships'.
The song was originally recorded in April 1990 with Butch Vig producing. It appeared as a track on their debut album 'Nevermind' and released as a single from the album. It reached number 11 in the UK singles chart and number 16 in the Dutch Top 40.
My collection: 7" single no. 1695 Found: Free Record Shop, Den Haag, August 15, 1992 Cost: 6 guilders Tracks: 'Lithium' / 'Been a son (live)'
After a hiatus from recording during which Spandau Ballet band members Gary and Martin Kemp established themselves as credible actors in the gangster film 'The Krays', the band released 'Heart like a sky' in September 1989. Although the album was not the commercial success they'd hoped for, several singles were released, with varying degrees of success.
'Be free with your love' was one of the standout tracks from the album, and released as the second single from it. It reached number 42 in the UK singles chart and number 33 in the Dutch Top 40.
My collection: 7" single no. 1183 Found: Disco Market, Den Haag, March 3, 1990 Cost: 1 guilder Tracks: 'Be free with your love' / 'Be free with your love (Dance mix edit)'
'Don't get me wrong' was the first single taken from the Pretenders' 1986 album, 'Get close'. This song was more commercial than the band's usual sound, with a jangly guitar sound and a pop melody. However, the lyrics were still as edgy as their earlier material.
The single reached number 10 in the US Billboard Hot 100 chart and the UK singles chart, while peaking at number 19 in the Dutch Top 40.
My collection: 7" single no. 2556 Found: Record fair, November 19, 1995 Cost: 1 guilders Tracks: 'Don't get me wrong' / 'Dance!'
Although decidedly uncool, the Goombay Dance Band were able to have a major hit across Europe in the spring of 1982 with 'Seven tears'. The song was written by Wolff-Ekkehardt Stein and Wolfgang Jass and produced by Jochen Peterson.
The single reached number 4 in the Dutch Top 40 and number 15 in Austria. It also spent three weeks at number 1 in the UK Singles Chart, being only the second time a German act had topped that chart, only six weeks after Kraftwerk had achieved that feat with 'The model'. Incidentally, my copy of the single was made in the UK.
My collection: 7" single no. 137 Found: 1982 Cost: unknown Tracks: 'Seven tears' / 'Mama Coco'
'Better be good to me' was written by Nicky Chinn, Mike Chapman and Holly Knight and originally recorded by Spider, a band from New York City of which Holly Knight was a member.
Tina Turner recorded her version on her comeback album 'Private dancer' in 1984. When it was released as a single, it reached number 5 in the US Billboard Hot 100, chart, number 36 in the Dutch Top 40 and number 45 in the UK singles chart. It is still one of Tina Turner's most popular and recognizable songs.
My collection: 7" single no. 270 Found: LP Top 100, Den Haag, 1985 Cost: 6 guilders Tracks: 'Better be good to me' / 'When I was young'
'Texas' was released as the third single from Chris Rea's 1990 album 'The road to hell'. The lyric tells of two people who are tired of the situation around them and are discussing moving to the American state of Texas. As often with Chris Rea, it's hard to tell whether this is a serious lyric or one to be interpreted as tongue-in-cheek.
The single only reached the UK singles chart for one week, at number 69. It has been played on radio stations in Texas, and is sometimes played as background music before Texas Rangers baseball games at Rangers Ballpark in Arlington.
My collection: 7" single no. 1250 Found: Melody Maker, Den Haag, June 21, 1990 Cost: 6,5 guilders Tracks: 'Texas' / 'Let's dance (live)'
Daryl Hall and John Oates recorded two new tracks for their 1984 compilation album 'Rock 'n' Soul Part 1'. One of the two tracks was 'Adult education'.
When 'Adult education' was released as a single, it had moderate success in most territories: it peaked at number 8 in the US Billboard Hot 100 chart and number 63 in the UK singles chart. However, in the Netherlands it was their biggest hit overall, peaking at number 4.
My collection: 7" single no. 1841 Found: Record fair, January 23, 1993 Cost: 1 guilder Tracks: 'Adult education' / 'I can't go for that (No can do)'
'Sat in your lap' was a track on Kate Bush's 1982 album 'The dreaming', but released as a single 15 months before the release of that album. The track was later remixed and slightly altered to fit it better with the overall feel of the album. About the lyric, Kate commented: ''Sat inyour lap' is very much a search for knowledge. And about the kind of people who really want to have knowledge but can't be bothered to do the things that they should in order to get it. So they're sitting there saying how nice it would be to have this or to do that without really desiring to do the things it takes you to get it. And also the more you learn the more ignorant you realize you are and that you get over one wall to find an even bigger one.'
The single reached number 11 in the UK singles chart and number 18 in Ireland. In other territories, 'Sat in your lap' failed to become a hit.
My collection: 7" single no. 427 Found: Parkpop, Den Haag, June 29, 1986 Cost: 2 guilders Tracks: 'Sat in your lap' / 'The lord of the reedy river'
'Suicide blonde' was written by Michael Hutchence and Andrew Farriss of the group INXS, after the band had gotten back together after a year-long sabbatical during 1989. The track was named after a woman who had bleached her own hair because she had 'dyed' by her own hand and who was 'love devastation'.
The music showed some new influences: Jon Farriss' drums sounded similar to the dance music rhythms at the time, especially the acid house sounds popular in the UK. Similarly, the blues harp intro on the track, performed by Charlie Musselwhite, was sampled rather than recorded live.
My collection: 7" single no. 1846 Found: January 23, 1993 Cost: 1 guilder Tracks: 'Suicide blonde' / 'Everybody wants u tonight'
The Pointer Sisters originally released 'I'm so excited' on their 1982 album 'So excited!'. The track was remixed for a single release in 1984. It reached number 9 in the US Billboard Hot 100 chart, number 18 in the Dutch Top 40 and number 11 in the UK singles chart.
In the music video, the sisters acted as if they were getting ready for a night out. Anita is shown dressing up and putting on makeup, Ruth in a nightgown seductively and playfully getting dressed on her bed, and June taking a bubble bath. The video created a minor controversy in America because of a shot where June gets out of the tub. Although the towel she has is covering her stomach, it doesn't prevent June from showing a little 'too much' of her lower body. The shot was edited in slow-motion for later broadcasts.
My collection: 7" single no. 623 Found: Parkpop, Den Haag, June 26, 1988 Cost: 2 guilders Tracks: 'I'm so excited' / 'Dance electric'
The Israeli millionaire Meshulam Riklis is widely credited for launching (or buying) Pia Zadora's career as a celebrity. He married her in 1977, and shortly after that she made her debut as the Dubonnet Girl, appearing in print and television commercials for the apéritif distributed by a company he owned.
He then financed the movies 'Butterfly' and 'Voyage of the rock aliens', in which Zadora had a starring role. 'When the rain begins to fall' was a duet of Zadora with Jermaine Jackson, recorded for the latter movie. The song was a big success in Europe, most of all the Netherlands where it reached number 1 in the Dutch Top 40.
My collection: 7" single no. 611 Found: Disco Market, Den Haag, May 7, 1988 Cost: 1 guilder Tracks: 'When the rain begins to fall' / 'Substitute'
'Sad man' was released as the third single from Renée's 1980 album 'Reaching for the sky'. The single was promoted for a couple of weeks, but then the record company's attention went towards the Stars on 45 project, which eventually became an international hit.
'Sad man', meanwhile, suffered. Although 10.000 copies of the single were apparently sold, it did not land in the Dutch Top 40.
My collection: 7" single no. 3285 Found: Disco Market, Den Haag, February 24, 2001 Cost: 1 guilder Tracks: 'Sad man' / 'Reaching for the sky'
Roger Hodgson commented in 1990: ''Take The Long Way Home' has a quality about it that just makes me feel warm inside. I don't know if it's the harmonies or the melodies, or whatever, but I never get sick of it. I always saw the song a little ambiguous. It's on two levels. I see 'home' as being internal and external. It's kind of a play on words. Definitely part of the song is about the shallowness of success and getting caught up in a world and success and chasing, being popular, or whatever, is taking 'the long way home'. Because I think 'home' in its deepest sense is inside, is being at peace with oneself.'
Originally released on the album 'Breakfast in America' in 1979, a live version was recorded on the album 'Paris' a year later and released as a single. This single was not a commercial success, but it's a good version nonetheless.
My collection: 7" single no. 2794 Found: Record fair, Rotterdam, December 14, 1996 Cost: 1 guilder Tracks: 'Take the long way home (live)' / 'From now on (live)'
This limited edition double single is a bit of a weird one, as the second disc only has one side. And so this whole double single edition is made for just one track extra. To make things even stranger: another orchestral track, a version of 'Hungry for the flesh' was recorded at the same time as 'Hide and seek', but both tracks would only be released on the 12" single of the next single, 'A little bit of snow'.
'You know I love you... don't you?' was released as the second single from Howard Jones's third album 'One to one' in November 1986. It was his first single not to reach the UK top 40, stalling at number 43. In the US Billboard Hot 100 chart, however, the single reached number 17.
My collection: 7" single no. 490 Found: Free Record Shop, Den Haag, 1987 Cost: 15 guilders Tracks: 'You know I love you... don't you?' / 'Dig this well deep' // 'Hide and seek (Orchestral version)'
As the Eighties drew to a close, the career of Spandau Ballet was also seemingly coming to an end. The album 'Heart like a sky' did not meet the expectations commercially speaking, and the singles taken from the album also had little success in the charts.
