'Body and soul' was Mai Tai's second hit single in the UK, but there was a difference with the European version of 'Body and soul': it was released on the Virgin label, had a different sleeve and a different B-side. The B-side was 'What goes on', a hit single in the Netherlands in the previous summer.
Released in July 1985, Mai Tai scored their second top 10 hit in the UK, peaking at number 9.
My collection: 7" single no. 2385 Found: House of Rhythm, London, July 1, 1995 Cost: 50p Tracks: 'Body & soul' / 'What goes on'
'Isn't it midnight' was released as the sixth and final single from Fleetwood Mac's 1987 album 'Tango in the night'. The song was co-written and sung by Christine McVie.
In the UK singles chart, 'Isn't it midnight' reached number 60 in June 1988. In Ireland, the single reached number 23.
My collection: 7" single no. 3197 Found: Record fair, Amterdam, September 16, 2000 Cost: 2 guilders Tracks: 'Isn't it midnight' / 'Mystified'
Robert Palmer recorded two of Marvin Gaye's songs, 'Mercy mercy me' and 'I want you' in a medley to form one hit single. I'm still not sure about this choice, as both songs come off a bit weird as lyrically they have very little in common. Still, it was a hit for Palmer, reaching number 9 in the UK singles chart and number 25 in the Dutch Top 40.
My reason for buying this single is actually the B-side, which was co-written by Colin Vearncombe, a.k.a. Black.
My collection: 7" single no. 2822 Found: February 1, 1997 Cost: 2 guilders Tracks: 'Mercy mercy me/I want you' / 'Oh yeah'
The classic 'Nights in white satin' was first featured on the Moody Blues album 'Days of future passed'. Band member Justin Hayward wrote the song at age nineteen in Swindon, and titled the song after a friend gave him a gift of satin bedsheets. The song itself was a tale of a yearning love from afar, which leads many to assume it is a tale of unrequited love endured by Hayward. The track was originally over seven minutes long, but it was edited for the single version, omitting spoken poetry and orchestral passages.
The B-side of this 'Golden Oldies' single is the track 'I'm just a singer in a rock and roll band', a hit single from 1973. The track was written by bassist John Lodge. It is one of John Lodge's signature high-energy rock and roll songs, which lyrically is a rant by Lodge, who was frustrated that many of their fans looked up to them as spiritual leaders in a sense. He is basically disproving that fact, and proclaiming that he is 'just a singer in a rock and roll band.'
My collection: 7" single no. 256 Found: Leiden, 1984 Cost: 6 guilders Tracks: 'Nights in white satin' / 'I'm just a singer in a rock and roll band'
'Make it happen' was written and produced by Mariah Carey with David Cole and Robert Clivillés of the C+C Music Factory, and recorded for Carey's second album, 'Emotions' (1991). The song is characterized best as a dance/gospel track with uplifting lyrics like 'If you believe in yourself enough and know what you want, you're going to make it happen.'
After Carey's first five U.S. singles had reached number 1 on the US Billboard Hot 100 chart, her sixth single 'Can't let go' had peaked at number 2. It was hoped that 'Make it happen' would be a number 1 again, but this time the single got to number 5. It did no better in the UK, where the single stalled at number 17.
My collection: 7" single no. 1623 Found: Disco Market, Den Haag, April 18, 1992 Cost: 3,5 guilders Tracks: 'Make it happen' / 'Emotions (Special motion edit)'
'Shake your body (down to the ground)' was released as a single from the Jacksons' album 'Destiny' in December 1978. The single version was edited down to almost four minutes from the original eight minute album version. The single reached number 7 in the US Billboard Hot 100 chart, number 4 in the UK singles chart and number 3 in the Dutch Top 40.
Performed during the Michael Jackson 30th Anniversary concert at Madison Square Garden in September 2001, it would be the last song performed live by the Jacksons.
My collection: 7" single no. 1576 Found: Record fair, January 25, 1992 Cost: 5 guilders Tracks: 'Shake your body (down to the ground)' / 'That's what you get (for being polite)'
Fiat Lux is one of those great unknown synthpop bands from the first half of the Eighties. They had two singles in the lower regions of the UK singles chart, but that was about it for them. I featured their singles on this blog last year, but I'm glad to say that I also own the 12" versions of most of them too.
'Blue emotion' is a particularly good 12" single, as it features extended versions of both the A-side and the B-side. When you listen to 'Blue emotion', you could easily mistake the band for Ultravox, as it's got these creepy synth sounds that wouldn't sound out of place on the classic album 'Vienna'.
'Take me down' was written by Kris Wauters from the band Clouseau with Nick Barron. It was released as the second single from their second international album 'In every small town'.
Although I consider this album to be the band's best work, most people did not agree: the single flopped and the album was to be Clouseau's last work in the English language.
My collection: 7" single no. 2070 Found: February 19, 1994 Cost: 2 guilders Tracks: 'Take me down' / 'Take me down (instrumental)'
'Mama' was written and recorded by Genesis on their 1983 album 'Genesis'. Phil Collins commented at the time: 'Our manager, when he first heard it, thought it was about abortion, the kind of feeling of the foetus saying to the mother 'Please give me a chance, can't you feel my heart, don't take away my last chance'. All those lyrics are in the song but in fact what it is, is just about a young teenager that's got a mother fixation with a prostitute that he's just happened to have met in passing and he has such a strong feeling for her and doesn't understand why she isn't interested in him.'
Most people remember the song for Phil Collins' sinister laugh halfway through. Producer Hugh Padgham revealed that the inspiration for the laugh came from rap music pioneer Grandmaster Flash's song 'The Message'. The single reached number 4 in the UK singles chart and number 7 in the Dutch Top 40.
My collection: 7" single no. 213 Found: Wouters, Den Haag, 1983 Cost: 6 guilders Tracks: 'Mama' / 'It's gonna get better'
'1999' was recorded by Prince on his 1982 album of the same name. Prince shares lead vocals on the track with members of his band The Revolution, namely Dez Dickerson, Lisa Coleman and Jill Jones. Originally conceived to be a three-part harmony, it was later decided to separate out the voices that started each verse. It was released as a single in the same year, launching Prince to superstardom along the way.
On New Year's Eve 1999, Prince (his stage name at that time still being an unpronounceable symbol) held a concert entitled 'Rave un2 the year 2000' at his Paisley Park Studios Soundstage, and he later vowed never to play it again. However, in August 2007, as part of his Earth Tour, he reintroduced the song to his set after an absence of eight years.
My collection: 7" single no. 2908 Found: Record Exchange, London, October 31, 1997 Cost: 50p Tracks: '1999' / 'Little red corvette'
'How many lies' was released in early 1987 as the third and final single from Spandau Ballet's 1986 album 'Through the barricades'. The single featured a live version of 'Communication', recorded at the NEC in Birmingham on the B-side.
The single reached number 34 in the UK singles chart and number 25 in the Dutch Top 40. While the band was traditionally also successful in Australia and Germany, 'How many lies' did not chart in these countries.
My collection: 7" single no. 2603 Found: Record fair, January 27, 1996 Cost: 1 guilder Tracks: 'How many lies?' / 'Communication (live)'
José Vélez was born as José Velásquez Jiménez, November 15, 1951 in Telde, Gran Canaria. He started his career in music in the late Sixties as a member of the Grupo Marabilla. He started a solo career after the group dissolved.
He represented Spain during the 1978 Eurovision Song Contest with 'Bailmos un vals' ('Let's dance a Waltz'). The song was written by Manuel de la Calva and Ramón Arcusa, the team beind Massiel's winning entry in the 1968 Contest, 'La la la'. It ended up ninth in a field of 20 competitors.
My collection: 7" single no. 4403 Found: Second Life Music, Amsterdam, December 30, 2009 Cost: 1 euro Tracks: 'Bailemos un vals' / 'Por que te fuiste 'pa'?'
I'm not one to look a gift horse in the mouth, but in hindsight I wonder if it was really a good idea to accept this single into my collection: I never played it besides the time I got it and now for this blog. 'Ik ben de man' ('I am the man') by Belgian single Raymond van het Groenewoud is a nice song, but it's nothing remarkable.
I got it from the shop owner at the shop where I went to get my weekly chart singles back in 1990. It was probably the only way for him to get rid of these singles, as they didn't sell at all. Six months later, Van het Groenewoud would have his first and only number 1 hit in the Netherlands with 'Liefde voor muziek' ('Love for music').
My collection: 7" single no. 1271 Found: Melody Maker, Den Haag, July 28, 1990 Cost: - Tracks: 'Ik ben de man' / 'Geen boodschap'
I don't know if Valentine's day qualifies as a red letter day, but it's Sunday today, so what the heck. Here's a special song for the occasion: China Crisis's 'Red letter day'. It was released as the second single from their 1989 album 'Diary of a hollow horse'. A special treat on this single is the acoustic version of the title track of that album, as it's been so beautifully done. I actually like the acoustic version better than the original version.
The single was not a hit in the UK, despite its special packaging: the single was housed in a special outer sleeve: a red envelope.
My collection: 7" single no. 995 Found: HMV, London, October 16, 1989 Cost: 2 pounds Tracks: 'Red letter day' / 'Diary of a hollow horse (acoustic)'
I don't think anyone remembers the band The Limit. They had a hit in 1985 with the track 'Say yeah'. (And no, I don't have it either.) The Limit consisted of Rob van Schaik and Bernard Oates, and they also wrote 'Love take over' for Five Star.
'Love take over' was released as the fifth single from Five Star's debut album 'Luxury of life'. It reached number 25 in the UK singles chart and number 27 in the Dutch Top 40.
My collection: 7" single no. 2409 Found: Record fair, 1994 Cost: 1 guilder Tracks: 'Love take over' / 'Keep in touch'
In 1991, Simply Red released the album 'Stars'. It was arguably one of their best selling albums, also yielding five singles. The third single was 'For your babies', a midtempo track written and composed by Mick Hucknall.
The single reached number 9 in the UK singles chart and number 11 in Ireland. It did not chart in the Netherlands.
My collection: 7" single no. 1582 Found: Melody Maker, Den Haag, February 10, 1992 Cost: 6 guilders Tracks: 'For your babies' / 'For your babies (Edition Français)'
José had two solo hits under her belt (with 'I will follow him' and 'Secret love') when she released her fourth solo single 'The good times'. It was a new track, composed by Piet Souer, with a lot of the trademarks of the two previous singles: a bright production, an upbeat sound and a recognisable melody.
However, it was not a cover version and it seemed like José could only have a hit with cover versions: 'The good times' did not chart in the Dutch Top 40.
My collection: 7" single no. 168 Found: Studio Echo, Den Haag, 1982 Cost: 5,5 guilders Tracks: 'The good times' / 'Say no more'
The Police created an impressive music video for 'Wrapped around your finger'. They performed the song in a candle-lit room, interspersed with scenes of Sting running among several tall candlesticks carefully arranged in a sort of maze. The video suited the song very well.
'Wrapped around your finger' is a tale of an apprentice who seeks esoteric wisdom under the tutelage of an erotic teacher, eventually superseding the mentor to become the master. Like other Police songs from this period, it features mythological and literary references, notably to the Scylla and Charybdis monsters of Greek mythology, and the German legend of Faust. The single reached number 7 in the UK singles chart, number 8 in the US Billboard Hot 100 chart and number 17 in the Dutch Top 40.
My collection: 7" single no. 495 Found: Disco Market, Den Haag, 1985 Cost: 2 guilders Tracks: 'Wrapped around your finger' / 'Someone to talk to'
'Anything for you' was recorded by Gloria Estefan and Miami Sound Machine. Such was the success of this single, that the album 'Let it loose' whence it came from was repackaged and renamed 'Anything for you' at the time of its release.
The single reached number 1 in the US Billboard Hot 100 chart and number 2 in the Dutch Top 40.
My collection: 7" single no. 744 Found: Free Record Shop, Den Haag, February 11, 1989 Cost: 6 guilders Tracks: 'Anything for you' / 'Anything for you (English/Spanish version)'
The history of the bands All about Eve and The Mission has been intertwined from the very beginning. Mission frontman Wayne Hussey sang backing vocals on some tracks on All about Eve's debut album, whereas Julianne Regan from All about Eve sang backing vocals on the Mission's 'Severina'.
Also, Regan was in a relationship with Mission guitarist Simon Hinkler for some time. When the couple broke up, it inspired Hussey to write 'Butterfly on a wheel'. The track was featured on the Mission's album 'Carved in sand' and was released as a single just before the end of 1989. It reached number 12 in the UK singles chart in January 1990.
My collection: 7" single no. 1165 Found: Free Record Shop, 1990 Cost: 6 guilders Tracks: 'Butterfly on a wheel' / 'The grip of disease'
Gary Lux was born in Ontario, Canada, but returned to live in Austria with his parents during his childhood. He represented Austria during the Eurovision Song Contest on six occasions, first as a member of the group Westend in 1983 and as a backing singer in 1984, 1993 and 1995. Only in 1985 and 1987 he was the starring performer.
His 1985 entry was 'Kinder dieser Welt' ('Children of the world'). The song finished eighth in a field of 19 competitors.
My collection: 7" single no. 4469 Found: Fun Records, Berlin, received January 28, 2010 Cost: 1,8 euro Tracks: 'Kinder dieser Welt' / 'Kino'
Frank Boeijen has often expressed that he regretted recording 'Linda'. There was some pressure from the record company to finally come up with a hit single, and this repetitive piece of Dutch pop did the trick. The line 'Linda / Ik wil alles voor je doen' ('Linda / I'd do anything for you') is repeated more than a dozen times, and the verses are not very imaginative either.
'Linda', released in May 1983, reached number 28 in the Dutch Top 40 and gave the Frank Boeijen Groep their first hit single.
My collection: 7" single no. 348 Found: Disco Market, Den Haag, 1985 Cost: 1 guilder Tracks: 'Linda' / 'Nachtportier'
This 12" single is a good example of how a 12" single should be. Kim Appleby released 'Light of the world' as the first single from her second album 'Breakaway' and had several remixers do their job on this track. The result is three different remixes of 'Light of the world'.
The first remix is made by Phil Kelsey, who would also remix Kim Wilde's 'If I can't have you' that same year. The second remix is an extended version of the single version, while the third remix is made by Phil Harding and Ian Curnow, long standing Stock Aitken & Waterman collaborators. At over 20 minutes, this is a good package for your money.
My collection: 12" single no. 527 Found: London, 1994 Cost: 2 pounds Tracks: 'Light of the world (Phil Kelsey remix)' / 'Light of the world (extended mix)', 'Light of the world (Harding & Curnow remix)'
After trying and failing to reach a wider audience with Holidays in Eden, Marillion figured it was time to go back to their roots and make a more progressive rock-oriented album again. The result was 'Brave', a concept album based on a news story Steve Hogarth heard on the radio about a girl who was taken into police custody after being found wandering the Severn Bridge. She did not know who she was, where she came from and refused to even speak. This inspired Hogarth to write a fictional story about this girl and what might have led to her being on Severn Bridge in this state.
'Brave' was not a hit album because of EMI's lack of promotion and the fact that it had no real single potential. However, three singles were released: 'The great escape', 'The hollow man' and 'Alone again in the lap Of luxury'. 'The hollow man' was the most successful of the three, peaking at number 30 in the UK singles chart.
My collection: 7" single no. 2083 Found: UK, received March 26, 1994 Cost: 2 pounds Tracks: 'The hollow man' / 'Brave'
Although 'Fields of gold' was covered by Eva Cassidy and reportedly brought many people to tears, it still is a bit of an overlooked Sting classic. He wrote and recorded the track on his 1993 album 'Ten summoner's tales'. It was released as the third single from the album that year.
The single reached number 23 in the US Billboard Hot 100 chart, number 16 in the UK singles chart and number 52 in Germany.
My collection: 7" single no. 2392 Found: Marlyn Music, Eastbourne, July 5, 1995 Cost: 2 pounds Tracks: 'Fields of gold' / 'We work the black seam'
'Come closer' is another single by the Dutch band Renée that didn't make the Dutch Top 40. Not that the track wasn't promoted: several television appearances have survived the three decades since its release (see here and here).
I didn't like the song when it came out, but I appreciated it more in hindsight. This is why I bought the single 20 years after its original release.
My collection: 7" single no. 3272 Found: November 10, 2000 Cost: 1 guilder Tracks: 'Come closer' / 'It's absurd'
One of the most successful collaborations in Eighties pop is the Eurythmics. Dave Stewart and Annie Lennox were continually changing their sound, releasing one hit single after another. 'Right by your side' was lyrically and sonically different from past single releases from the band. The track is an uptempo love song featuring calypso music, synthesized steel drum and marimba sounds as well as a horn section.
The track was released as the second single from Eurythmics' third album 'Touch'. It reached number 10 in the UK singles chart and number 20 in the Dutch Top 40.
My collection: 7" single no. 3097 Found: House of Rhythm, London, May 13, 1999 Cost: 40p Tracks: 'Right by your side' / 'Right by your side (Party mix)'
After the big success of her first two albums and the track 'In all the right places' for the soundtrack of the movie 'Indecent proposal', Lisa Stansfield released her third solo album 'So natural' in 1993. It was her very first musical work almost entirely realized by the singer herself along with her husband and collaborator Ian Devaney. Previously, the pair had worked in a trio with Andy Morris, but he only shared writing credits on three tracks on this album.
It's all speculation whether this is really the cause, of course, but without Morris, Stansfield had a hard time maintaining her commercial success. The title track was released as a single, which reached number 15 in the UK singles chart but failed to reach the Dutch Top 40.
My collection: 7" single no. 1994 Found: HMV, London, October 18, 1993 Cost: 2 pounds Tracks: 'So natural' / 'So natural (Roger's club mix)'
Although their success in the Seventies was phenomenal, in the early Eighties the success of the band Hot Chocolate headed for a steady decline. Their last big success was 1982's 'It started with a kiss', but subsequent singles didn't fare as well.
'Tears on the telephone', released in September 1983, was Hot Chocolate's last hit single in the Netherlands, peaking at number 14. It sold less well in the UK, where it only reached number 37.
My collection: 7" single no. 3121 Found: July 24, 1999 Cost: 1 guilder Tracks: 'Tears on the telephone' / 'It's my birthday'
1981 is a very successful year for the Dutch duo Maywood. They release three hit singles, of which 'Distant love' is the first, and they win the prestigious Silver Harp awards in the Netherlands. They also receive prizes and awards in Germany, Poland, Japan and Korea. A world tour takes them to Sweden, Finland, Bulgaria, Indonesia en de Soviet Union.
'Distant love' reaches number 15 in the Dutch Top 40, a placing that is exceeded by the two subsequent single releases.
My collection: 7" single no. 80 Found: Wouters, Den Haag, 1981 Cost: 3 guilders Tracks: 'Distant love' / 'I'm in love for the very first time'
Taken from the album 'Dancing with strangers', 'Loving you again' was released five years after another Chris Rea single 'Loving you'. Despite the similar title, the songs had very little in common and if nothing else it showed the progression of Chris Rea's music through these years: it had become a little harder edged.
'Loving you again' was a moderate success, peaking at number 47 in the UK singles chart, number 25 in Ireland and number 43 in Germany.
My collection: 7" single no. 803 Found: Disco Market, Den Haag, April 21, 1989 Cost: 2 guilders Tracks: 'Loving you again' / 'Donahue's broken wheel'
'Spasticus Autisticus' was written by Ian Dury and Chas Jankel in 1981 for the International Year of Disabled Persons. The lyric was deliberately provocative, as the word Spastic (a name for sufferers of cerebral palsy) was becoming taboo in Britain, due to its use as a derogatory term. Despite the fact that Dury was himself disabled (from polio, rather than cerebral palsy), the BBC deemed it offensive to polite sensibilities and denied it airplay, only confirming the validity of Dury's uncompromising lyrics.
The single did not chart in any territory, but I remember it made quite an impression on me when the single was first released and Dury performed it on television in the music programmes at the time.
My collection: 7" single no. 2939 Found: Record fair, Leiden, January 31, 1998 Cost: 2 guilders Tracks: 'Spasticus Autisticus' / 'Spasticus Autisticus (Version)'
'I don't wanna go on with you like that' was taken from Elton John's 1988 album 'Reg strikes back'. Written by Elton John and Bernie Taupin, the song describes the breakup of a lovers' relationship.
When the single was released in the summer of 1988, it reached number 30 in the UK singles chart and number 2 in the US Billboard Hot 100 chart. It was kept from the top spot by the single 'Monkey' by George Michael.
My collection: 7" single no. 660 Found: Disco Market, Den Haag, October 1, 1988 Cost: 2 guilders Tracks: 'I don't wanna go on with you like that' / 'Rope around a fool'
'Breakfast in America' was the title track of Supertramp's 1979 album. During the recording of this album, tensions between band members and main songwriters Rick Davies and Roger Hodgson were rising. Hodgson later commented: 'Rick didn't like the song 'Breakfast in America' and didn't want it on the album. He also didn't want the album to be titled 'Breakfast in America' either and I guess I won out on both accounts'.
When released as a single, 'Breakfast in America' became a big hit in various countries. It reached number 9 in the UK singles chart and number 16 in the Dutch Top 40.
My collection: 7" single no. 851 Found: Den Haag, May 27, 1989 Cost: 2 guilders Tracks: 'Breakfast in America' / 'Gone Hollywood'
'Confusion' was released as a double A-side single with 'Last train to London' in the UK and Ireland, whereas the two tracks were released as separate singles in other territories. Thanks to this fact, we can conclude that 'Confusion' was actually the better selling of the two, since it was a top 10 hit in four other countries, in contrast to 'Last train to London', which only reached the top 10 in France. Meanwhile, the double A-side single reached number 8 in the UK and number 9 in Ireland.
Both tracks were taken from Electric Light Orchestra's 1979 album 'Discovery', from which three previous singles had already been released.
My collection: 7" single no. 2758 Found: House of Rhythm, London, October 29, 1996 Cost: 20p Tracks: 'Confusion' / 'Last train to London'
'It's called a heart' was the second new track to be lifted from Depeche Mode's compilation album 'The Singles (81-85)'. Both Alan Wilder and Martin Gore have commented about their dislike of the track in hindsight. They actually wanted 'Fly on the windscreen' to be the A-side of this single, but the record company thought the violent nature of the song would be suitable for radio play (Imagine hearing the first line, 'Death is everywhere' on a sunny Sunday morning).
The single was released with a limited edition poster sleeve in the Netherlands. In the UK singles chart, 'It's called a heart' reached number 18.
My collection: 7" single no. 351 Found: Den Haag, 1985 Cost: unknown Tracks: 'It's called a heart' / 'Fly on the windscreen'
The mother and daughter duo Maxi & Chris Garden represented Germany during the 1988 Eurovision Song Contest with 'Lied für einen Freund' ('Song for a friend'). Like many of Germany's entries, the song was written and composed by Ralph Siegel and Bernd Meinunger, but this one is actually a rather baroque track musically speaking: lots of orchestral backing, piano riffs and, well, a disappointing lyric.
At the close of voting, 'Lied für einen Freund' finished 14th in a field of 21 competitors.
My collection: 7" single no. 4455 Found: Fun Records, Berlin, received January 28, 2010 Cost: 1,5 euro Tracks: 'Lied für einen Freund' / 'Du und ich'
Donna Summer has been around for such a long time, that many of her singles are still wellknown. From her output in the Eighties, 'State of independence' is quite probably her best known song. The track was originally written and recorded by Jon Anderson & Vangelis on their 1981 album 'The friends of Mr. Cairo'.
Donna Summer recorded her version a year later on her 1982 self-titled album, with Quincy Jones producing. Her version of the song features an all-star choir including among others Michael Jackson, Brenda Russell, James Ingram, Dionne Warwick, Kenny Loggins, Lionel Richie and Stevie Wonder. Upon its original release, it became a number 1 hit in the Dutch Top 40, peaking at number 14 in the UK singles chart and number 41 in the US Billboard Hot 100 chart. Remixes were released in 1990 and 1996.
My collection: 7" single no. 293 Found: Disco Market, Den Haag, 1985 Cost: 2 guilders Tracks: 'State of independence' / 'Love is just a breath away'
'The train' was the second single taken from the 1988 album 'Hat' by the Nits. The song was written and produced by the band. The sleeve of the single featured stills from the rather strange music video. And like the music video, the song was rather strange as well.
'Strange and beautiful' was increasingly becoming the trademark of the Nits, which earned them a big fan following in the Netherlands, but also a lack of commercial success: this single did not chart.
My collection: 7" single no. 753 Found: Free Record Shop, Den Haag, February 17, 1989 Cost: 6 guilders Tracks: 'The train' / 'Blue'
Mylene Farmer's song 'Beyond my control' was inspired by two characters in the 1782 French novel 'Les liaisons dangereuses'. In the song, the voice heard on the chorus of the song which repeats 'It's beyond my control' is in fact a sample of John Malkovich's voice from the film 'Les liaisons dangereuses' by Stephen Frears. The song deals with self-control, love and death. Farmer tells her own story from the sampled sentence: that of a woman who kills her unfaithful lover after a night of love.
The single reached number 8 in France and number 10 in the French-speaking part of Belgium. The single was also released in the Netherlands, but without any chart success.
My collection: 7" single no. 2220 Found: Record fair, Rotterdam, December 17, 1994 Cost: 3 guilders Tracks: 'Beyond my control' / 'Beyond my control (Ya ya version)'
The statement is quite belittling: to say to the thousands of victims of an earthquake, in this case in Haiti: 'Everybody hurts sometimes'. Yet, that's what happening right now: an array of pop stars have recorded a cover version of this sog by R.E.M. I haven't heard it yet, but when Leona Lewis and Mariah Carey are involved, it's bound to be an atrocious track.
So let's go back to the original. Much of the song was written by R.E.M. drummer Bill Berry. He said about the song: 'If you're consciously writing for someone who hasn't been to college, or is pretty young, it might be nice to be very direct. In that regard, it's tended to work for people of a lot of ages.'
My collection: 7" single no. 1916 Found: Melody Maker, Den Haag, May 22, 1993 Cost: 6,5 guilders Tracks: 'Everybody hurts' / 'Pop song 89'
'Midnight man' is a track from Flash and the Pan's fifth studio album 'Early morning wake up call'. The album was produced by Harry Vanda and George Young themselves, like all their albums.
The track was edited for the single release. The single reached number 66 in Australia and number 23 in the Dutch Top 40.
My collection: 7" single no. 289 Found: Den Haag, 1985 Cost: 6 guilders Tracks: 'Midnight man' / 'Fat night'
'Save me' was released as a single in January 1980, six months before the album 'The game' was released, on which the track appeared. Brian May wrote the song about a friend whose relationship had ended.
The single reached number 5 in the Dutch Top 40 and number 11 in the UK singles chart, while it was also a top 10 hit in Ireland, Italy and Norway.
My collection: 7" single no. 1575 Found: Record fair, January 25, 1992 Cost: 3 guilders Tracks: 'Save me' / 'Let me entertain you'
Released as the last single from Tori Amos' second album 'Under the pink' in Europe (as opposed to the USA, where it was released as the first single), 'God' was issued in several different formats. The 7" picture disc featured the album version and a remix, whereas the cd-single and the 12" single featured a few more remixes.
One has to question the point of those remixes though. The 'acapella vocal and rain mix' is basically the prettiest version of three remixes that are basically the same: the 'Thinking mix 2' and the 'Rainforest Resort mix' are just lengthier versions with some alterations in them. The only reason why this 12" single is worth owning, is the CJ Bolland mix: this one actually adds something to the track that makes it sound danceable, and even gives it a poppy, Kraftwerk-ish appeal.
'Julia' was a track on the soundtrack of the movie '1984', which was composed and recorded entirely by the Eurythmics. It was subsequently released as the second and final single from the album. The song is a ballad with very sparse electronic instrumentation and an almost a cappella performance by Lennox. Her vocals are accentuated by vocoder effects in the background. The title and lyrics of the song are based upon the novel's heroine and love interest, Julia.
The single was released as a limited edition in the UK, featuring a pop-up sleeve and a picture disc with a still image from the film, featuring English actress Suzanna Hamilton as Julia. The single reached number 44 in the UK singles chart.
My collection: 7" single no. 1346 Found: Sister Ray, London, October 18, 1990 Cost: 4 pounds Tracks: 'Julia' / 'Ministry of love'
Although for some this song may be a bit too melodramatic, this was my favourite single of the year 1991. 'Spending my time' was one of the best tracks on Roxette's 1991 album 'Joyride', and when it was released as a single, it was coupled with a very strong non-album track, 'The sweet hello the sad goodbye'. The cd-single also added a great extended remix of the track.
The single reached number 29 in the Dutch Top 40 and number 22 in the UK singles chart. In 1996, a Spanish version, 'Un dia sin ti' was recorded on the album 'Baladas en Español'.
My collection: 7" single no. 1548 Found: Melody Maker, Den Haag, November 2, 1991 Cost: 6,5 guilders Tracks: 'Spending my time' / 'The sweet hello, the sad goodbye'
In 1988, Maarten Peters left his record company Dureco after releasing two albums with them, and signed a new contract with EMI. His first release for EMI was the standalone single 'Dance this night away'.
Despite the danceable music and the straightforward lyric, the single was not a chart success. It almost seemed like his career was heading for a nosedive, but in 1989 Peters came back with a new album, that would give him his biggest successes.
My collection: 7" single no. 634 Found: Disco Market, Den Haag, 1988 Cost: 3,5 guilders Tracks: 'Dance this night away' / 'Dance this night away (instrumental)'