For a mere eight years I was well into Tori Amos. All that time she released five great albums, until the disastrous covers album 'Strange little girls' ended that great run and introduced a decade of wishy-washy albums, finally descending into that career nosedive called the - gasp - Christmas album.
When Frida went solo in 1982, nobody suspected that it signalled the end of Abba, the band she'd been part of for the last ten years. And when the first single, 'I know there's something going on', produced by Phil Collins, became a big hit, nobody knew that the rest of her solo career would be less successful. Her career as a solo artist became comparatively insignificant, although artistically it had some interesting moments nonetheless.
When you look at the sleeve of the 7" single of 'You are the one' and compare it with this one from the 12" single, you'll see that a different photograph was used from the same photo session. You'd wish this was done more often, because all too often the sleeve of the 12" single is an exact replica, if only a bigger one, of the 7" single.
When the duo Groovenut decided to remix Kim Wilde's 'You came', little did they know that there were actually plans to re-record and re-release this track. It was 2005, a full 17 years after the release of the original track, and the plan was simply to update the track for the new century.
When the cd-single became the preferred format in the late Eighties, vinyl was quickly pronounced dead by the record companies, not realising they were digging their own graves at the time. But before they did, there were some efforts made to sell vinyl discs, for instance with exclusive tracks.
When Kate Bush finally released a new album in 1993, four years after the previous one, I was looking forward to it like never before. The world really needed new music from Kate Bush, as the music scene in 1993 had become boring and predictable. Kate Bush was never that: her new single showed an unexpected whimsical style.
Nik Kershaw got through his first two albums okay, but when the 'difficult third album' came up, he was out of luck: although his music was still very interesting, it proved 'too difficult' for the record-buying audience. Hence, 'Radio Musicola', as the album was called, never got the attention it deserved.
As written before, there is a difference between the extended version of Tears for Fears' 1984 single 'Mothers talk' and the so-called 'Beat of the drum mix' of that track. This 12" single is the only one that contains the latter mix, although a German pressing with the sleeve shown here claims to feature it as well.
Although the British band Private Lives never hit it big, they certainly had their chances since three different singles were taken from their only album release. 'Break the chains' is probably the least wellknown of the three, but it was still released on 7" and 12".
Nobody covered Kim Wilde's 1981 hit, 'Cambodia'. Well, there were actually quite a few of them (including a Swedish death metal band, an American dance queen, a pop singer from Luxembourg and a Norwegian electro-band), but this 12" single was released by Nobody.
Although I was only seven years old when this single was released, I can say that I've loved this song from the very beginning. I bought the single years later, but that was only because I had a double LP with this track on it since early 1979. And then there was this 12" single...
The last single by Mel & Kim was released when Mel was already receiving treatment for cancer, a battle she ultimately lost on January 18, 1990. Her illness was made public at the time of the release of this single.
When I bought this 12" single there was no way to tell whether it contained an extended version of the lead track, so I just bought it. I think this version is slightly longer, but certainly not a remix of the track, which is a pity, but so be it.
Released some time before the album, 'Mothers talk' was actually the first single from Tears for Fears' second album 'Songs from the big chair'. Little did they know then that it would become such a successful album. And although the single did reasonably well in the UK (peaking at no. 14 in the chart) other countries weren't convinced until the next single, 'Shout', was released.
'Leave in silence' is still one of my all time favourite Depeche Mode tracks, and this 12" single had a little to do with that. I was very impressed with the extended remix of this single, and the 'quieter' version that was included on the B-side of this 12" single added a dimension to the beauty of the track. I remember spending some hours re-mixing these mixes on my old tape recorder, using the excellent 'pause' buttons they used to have. One mix exceeded 10 minutes, if I remember correctly.
For a long time, this 1986 re-recording of 'Don't stand so close to me' was in the history books as the only reunion of the British band The Police and it is still their most recent studio recording. Produced by Laurie Latham, this version is very different from the 1980 original.
In 1990, Kate Bush was one of the artists that participated in the project 'Two rooms', in which covers of Elton John songs were recorded. Kate Bush chose 'Rocket man', a song originally released in 1972. According to Kate: 'When I asked to be involved in this project and was given the choice of a track it was like being asked ‘would you like to fulfill a dream? would you like to be Rocket Man?’... yes, I would.'
February 29 is an extraordinary day and on such a day I think I should post at least one extraordinary record. This one fits the bill: it's one of the earlier 12" singles I bought and one of precious few that features three different songs, all remixed, and all good.
